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Edited by Yann Beauvais.
Texts by Yann Beauvais, Bill Brand, Edwin Carels, Rosalind Krauss, Jean-Claude Lebensztejn
Annette Michelson, Józef Robakowski, Keith Sanborn, Paul Sharits.
published in 2008
20,5 x 26 cm (hardcover)
200 pages (112 colour ill.)
Known primarily for his experimental cinema and pictorial works, Sharits developed an oeuvre that evolved around two central themes: one, closely related to music and the world of abstraction, the other, within the psychological and emotional arena of the figurative. This complete monograph, drawn from a recent exhibition, explores the connections between these two practices, and in addition provides a general introduction to a remarkable body of work. Illustrated throughout, the monograph also includes several essays, texts by Sharits and interviews.
Member of Fluxus
, Paul Jeffrey Sharits (1943-1993) was an American multimedia artist, best known for his experimental or avant-garde filmmaking and his Frozen Film Frames
(frames made from movies films), particularly what became known as the Structural film movement. He used a wide variety of media including painting, sculpture and performance.