Anthologies

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

An incisive examination of the intersection of global art and political resistance.

The very first book devoted to the creations of artificial intelligences in literature and art, and the problems they raise.

Listening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.

A manifesto for an activist neuroaesthetics, to make the processes of digital dominion and governmentalization—which are becoming more and more prominent in late-stage cognitive capitalism (or neural capitalism)—opaque, visible, and known (contributions by Franco Bifo Berardi, Yann Moulier Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Slavoj Žižek...).

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

Curator without a System brings together, for the first time in English, a rich variety of essays by the curator Viktor Misiano written between 1988 and 2005.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

A manifesto for radical care and universal and unconditional basic income, as a tool for social transformation and social equality highlighting values, needs and desires opposing the present inequalities generated by neoliberalism and the ecological unsustainability of capitalism.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

A critical anthology on the spatial mediation of art consumption through digital technology.

The hypothesis of a genuine cultural logic of environmentalization, at the intersection of art, media and cultural studies as well as economic theory.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

This anthology gathers some of the most emblematic authors of the Brazilian poetic modernity, in its widest amplitude and with the intractable will to reveal its incessant reinvention.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

The new meaning of craft.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

New perspectives for a history of Italian silent cinema.

From "institutional critique" to "infrastructural critique" .

A collective research on the memory of the places to the test of wars and conflicts through representations of landscapes, as they are reworked by means of contemporary art, cinema or literature.

The ecologies of experimental cinema in the Anthropocene age.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

The different aspects of the work of Marcel Mariën (1920-1993)–member of the surrealist group of Brussels, poet, creator of images, publisher, theoretician and political activist, accomplice of René Magritte and Guy Debord.

Transcripts of unpublished lectures and writings by the French architect-urbanist Marcel Lods (1891-1978).

An journal of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

Wicked Little Town gathers more than fifty artists and critical thinkers traversing trans-temporal imaginations of resistance, unruliness, and non-compliance across genders, abilities and national borders.

A political and aesthetic critique of racial capitalism and modes of social experimentation in the form of resistance to the colonial commons.

A collection of biographical and musical essays about composer-performer Julius Eastman—a compelling portrait of Eastman's enigmatic and intriguing life and music.

Reevaluating the scholarly knowledge about Dada and its legacy, this publication reconstructs how Dada was (re)invented in the 1950s and the 1960s, especially by the Dada protagonists themselves, and asks to what extent Dada's impulses are still relevant regarding current aesthetic, literary and cultural analyses.

Bringing together contributions from North America, France and Italy, texts by dancers and texts by historians, anthropologists and philosophers of dance, this book offers a contemporary look at Contact Improvisation, the dance form created by Steve Paxton (1939-2024) in 1972 and which is celebrating its 50th anniversary.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

The redefinition of the medium through the interrelation between contemporary art and cinema.

The social and political dimensions of art and art writing in the contemporary context.

The prospects of revolutionary feminism, from Želimir Žilnik's canonical film.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

An original multidisciplinary study of the text-image pair in its political dimension, from the militancy of the early twentieth century to the struggles for "visibility" of minorities.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene (Vito Acconci, Matthew Barney, Rhys Chatham, Tony Conrad, Henry Flynt, Milford Graves, Christian Marclay, Phill Niblock, Suicide, Michael Snow, Tom Verlaine, Yo La Tengo...).

You Got to Get In to Get Out. The Never-ending Sound Continuum is one of the elements that integrate an homonymous curatorial research project that takes place at La Casa Encendida (Madrid) based on the vision of techno as a cultural, social, historical and material entity by curators Sonia Fernández Pan and Carolina Jiménez.