Collecting

A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

Second volume of the catalogue dedicated to the collection of digital art at the Espace Multimedia Gantner, presenting 23 new acquisitions as well as a glossary and two unpublished texts on the place of digital art in contemporary art and the issues related to conservation and restoration.

An extensive documentation of the art collection initiated by Eric and Suzanne Syz, on the occasion of its installation at the Syz Group Headquarters in Geneva in 2017. Featuring iconic works from the 1980s, the ever-expanding collection also promotes established and emerging contemporary artists.

A relecture of of the European Pop Art through a selection of works stemming from private collections.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

A panorama of Latin American art collections in Southern California.

Through photographic documentation and essay, Altar documents the widespread human urge to elevate secular things to the status of “ritual objects” and combine them to form private altars. Whether they're dust catchers, knickknacks, souvenirs, found objects, meaningful artworks or earnestly and deeply revered objects, they all tell a peculiar story—not in words, but in things—about whoever built the altar.

The first volume of the retrospective catalogue of Le Consortium contemporary art center (new edition).

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

Catalogue / artist's book gathering 137 anonymous works from the 16th century to nowadays coming from the collections of the MUCEM – The Museum of European and Mediterranean Civilisations in Marseille.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The first publication to pay tribute to Ambroise Vollard the Reunionese and to the exceptional gift made to his island in 1947, exhibited at the Léon Dierx museum.

A parallel side story of the steirischer herbst International Art Festival drawn from the back-sides of cut-out articles from the festival's press archives.

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

Catalogue presenting a series of watercolours in which artist Sophie von Hellermann re-interprets artworks by Alex Israel, Sergej Jensen, Karen Kilimnik, Sarah Lucas, Marisa Merz, Kelley Walker, etc., all from the Cranford Collection.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

This exceptional catalogue follows an exhibition of video works from the La Gaia Collection in Italy. It features documentation of the show and individual presentations of works by the major video artists of the 20th century to nowadays: Marina Abramović, Pierre Bismuth, Mircea Cantor, Rä Di Martino, Ion Grigorescu, Gary Hill, Jonathan Horowitz, Alfredo Jaar, William Kentridge, Adrian Paci, Rosemarie Trockel, Valie Export, Bill Viola…

11 pop songs inspired by artworks from the Frac Île-de-France's collection.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection.

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection (also available in English).

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Cave is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.

This lavish publication presents Nestlé's corporate art collection, located in Vevey and nestled in the landmark building created by Jean Tschumi in the late 1950s.

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The many representations of the Self and the Other in Africa, the Indian Ocean, Asia and Europe, through a selection of artists' portraits and self-portraits (exhibition catalogue based on Frac Reunion's collection).

Greetings from Auschwitz is a book based on an unusual collection put together over several years by Polish artist and curator Paweł Szypulski. It shows postcards sent by tourists who visited the former Nazi death camp Auschwitz-Birkenau. The oldest postcard dates from 1947—only two years after the liberation of the camp.

The guide of the video and digital art collection.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

A volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

This study of the origin and creation of the FRACs (Regional Funds of Contemporary Art) between 1981 and 1986 reviews the history and assesses one of the flagship measures of French decentralized cultural policy.

An essential publication that allows to reevaluate the importance and impact of the work of the pioneering English group Art & Language, and the emergence of Conceptual art in the early 1970s.

Artist's book.

The press photographs reproduced in this publication show the bombing of Bagdad. They were taken from German newspapers soon after the beginning of the second iraqi-american war in March of 2003. Following their removal they were placed and stuck in the centre of a piece of paper, aiming to be as precise as possible (artist's book).

The beginning of Hungarian Conceptual art.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Commissioned to photograph a contemporary art installation set in a London private house, Marie Angeletti immersed herself in the life of its inhabitants to better capture the complex network that unites the artworks and the collector. The art works of Isa Genzken, Christopher Wool, Franz West or Rosemarie Trockel are mixed with the house social realities and with the world that surrounds them. With her penetrating and witty gaze, Angeletti explores the circulation of art in our contemporary society while infusing it with her own private perspective.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Crossed interviews with artists and their collectors.