Collaborations / collectives

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth.

A photographic project about the history and repercussions of the life of German botanist and gardener Georg August Zenker.

Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

The female nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

Post-isolationist, deep ambient & folk classic Murder Ballads (Drift) by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

This journey, this slowly drifting sonic meditation, is an "inner soundscape", a dialogue between the senses, the conscience and the world, inside / outside, interconnected. Like waking up from a long dream, and being stuck into its echo. The April Sessions immerges the listener into a drone-ish universe, full of random acousmatic events, inner monologues and a vast and unwritten subjective map to be drawn.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

Five musicians and producers from Italy and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

Hastings of Malawi's third LP—the antithesis of Christmas albums.

Artists' book.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

A book about art, publishing and collaboration.

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.

A musical and poetic performance by the Italian artistic collective.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

A tribute to William S. Burroughs.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.