A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

An overview of the use of textile in contemporary visual arts around the world.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

Charles Fourier or utopia as reality.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

A picaresque tale of Clara Schulmann's often collective experiences.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

New approaches to Iannone's unique work.

Ronan Bouroullec's daily drawings.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The new adventure of the Musée Mobile (a traveling museum aimed at making contemporary art accessible to those who are far from it, from the earliest age, that has been touring France, Europe and Africa since 2011), in partnership with the Centre Pompidou: the first museum truck dedicated to Europe's largest collection of modern and contemporary art, designed by architect Isabel Hérault and artist Krijn de Koning, travelling to various regions and villages.

The complete texts and photographs published in the fanzine dedicated to free jazz.

The heyday of New York's underground and alternative cultural scene in the 1980s: a look back at the history of the Pyramid Cocktail Lounge, a primary hub for the burgeoning East Village drag, gay, feminist, punk, and art scenes.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

This publication documents the organization of fifty-two banquets (2008-2023) as artistic practice and "social sculpture"

Monologues and "quasi-monologues" in which the characters talk indiscriminately about pollution, Pokémon, bonzes and alien octopuses.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

A reflection on the role of art in the interconnected struggles for climate and ecological justice.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

New edition of Steve Cannon's riotous 1969/71 erotic novel Groove, Bang and Jive Around, "an underground classic of such legendary stature that New York's black cognoscenti have transmogrified the work into urban myth," with a foreword from Darius James and an afterword by poet Tracie Morris.

The sixth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, delves into the various forms of mutation that ripple through our world.

Torbjørn Rødland, Pierre Joseph, Jill Mulleady, Samuel Fasse, Rob Pruitt, Ugo Rondinone, Lili Reynaud-Dewar, Ana Jotta, Donald Judd, GaHee Park, Ange Leccia, Richard Phillips, NP2F, Seton Smith, Giacomo Borella, Valérian Goalec, Sean Landers, Huma Bhabha, Paul Pfeiffer, Claes Oldenbourg, Brian Calvin, Karen Kilimnik, Robert Gober, Rita Ackermann, Allen Ginsberg, Karen Kilimnik, Robert Longo...

The "deconstruction" of design, between practice and reflection.

A historicist approach of music genres.

The 13th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

Catalogue of a historical exibition curated by artist Anna Sew Hoy, with support from ICA LA Executive Director Anne Ellegood, Scratching at the Moon presents an intergenerational group of thirteen leading artists in the Asian American community who currently live and work in Los Angeles or have strong ties to the city.

A lesbian and queer re-reading of Albertine, a central character in Marcel Proust's In Search of Lost Time. A group show constructed as a portrait of lesbian identity.

Photographer David Simpson opens his 30-year archive on Louisiana's rural Mardi Gras traditions.

This edition, the fifth volume in the Vues & Données series, includes data from the 2,275 "latent shots" taken by artist Aurélie Pétrel.

The result of a research project revolving around the question of data, headed by artist-photographer Aurélie Pétrel and philosopher Fabien Vallos.

The multiple meanings and uses of textiles in art, culture and society.

Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade.

The outcome of two years of writing and documenting Joshua Leon's own research processes, the publication comprises original writing alongside archival imagery.

A survey of Florence Grundeler's work, structured according to the different media (canvas, paper, steel, installation) that form the pillars of her artistic development, with two essays.

The culmination of a multidisciplinary project developed over ten years, where Miquel Mont blends real and fictional autobiographical elements to explore the economy of affects.