A lexical survey on compositional practice in contemporary dance.

Performance art with a “low artistic coefficient of visibility”.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

Second volume of a special issue devoted to the rediscovery of Charles Fourier's oeuvre by the Surrealists. This volume focuses on André Breton's passionate interest in Fourier, through correspondence (Pierre Naville, Georges Sirot, Jean Gaulmier, Émile Lehouck) and texts by Georges Bataille and Raoul Vaneigem.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

The current panoply of private initiatives in the museum world.

Catalogue of the first Orleans Biennale of Architecture: introduced by a series of texts on Guy Rottier, Demas Nwoko and Patrick Bouchain, the publication offers an intersecting vision from over forty contemporary architects working on building a shared world. The concluding part presents a mapping of the research in architecture.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

First retrospective catalogue devoted to Dutch painter Peter Schuyff, a prominent member of the Neo-Geo movement, Has Been presents a selection of works produced between 1981 and 1991 in New York. The publication reveals the many paths taken by the artist and exposes the myriad forms which pictorial abstraction can take. Two critical essays, historical reviews, as well as a text written by Peter Schuyff in 1991, shed light on the artist's work of this period and on the complexity of its referential relationships.

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

First volume of a special issue devoted to the rediscovery of Charles Fourier's oeuvre by the Surrealists. This volume focuses on the pioneer works of philosopher Simone Debout, including early and recent works, and an unpublished correspondence with André Breton. The issue also features an introduction by Florent Perrier & Gérard Roche, and texts and essays by Charles Fourier, Philippe Audoin, André Breton, Michel Butor, Roger Garaudy, Annie Le Brun, Robert Pagès, Octavio Paz, Raymond Queneau and Alejandra Riera.

The updated chronological compilation of Yona Friedman's plans, sketches, drawings, models, collages, installations, etc., since 1945: a monumental publication which offers a complete overview of the work of one of the greatest artists-architects and urbanist theoreticians today, in its many dimensions (urban, economic, ecological, cultural, social and political).

For the past twenty years, Edith Dekyndt has been redefining the interdependence of the artwork and its exhibition context by relocating her work's experiments in a more extended spatiality and temporality—that of the world's ecosystem. This catalog offers a selective approach of her work on the occasion of a joint exhibition at Le Consortium and Wiels.

Discourses, reflections and documents on performative and choreographic arts today.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

Seven buildings conceived by the Rennes architecture firm.

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

A comparative history of the ruins from the ancient East to the modern West.

The public art program conceived in the context of the urban development project for the city of Poitiers in France, with commissioned works by Élisabeth Ballet, Pierre Joseph, Didier Marcel, Benoît-Marie Moriceau, and Christian Robert-Tissot.

New monograph.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

First monograph.

Issue devoted to the phalanstery and its (few) representations: a rigorous as well as singular contribution on the traditional ambiguities passing through the relationship between utopia and its image.

A manual for massive stone construction, by a pionneer in sustainable and ecological architecture.

A manual for massive stone construction, by a pionneer in sustainable and ecological architecture (available in English edition).

Artists' book history.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

2nd issue of the experimental music annual review, around the question of experimentation in music.

An analysis of the experience of spatiality in dance, through five works by Xavier Le Roy, Yvonne Rainer, Olga Mesa, Boris Charmatz, and Merce Cunningham.

Christopher Wool's stained glass windows for the Prieuré of La Charité sur Loire, France.

Nonprofit collective organizations in the 1960s-1970s.

Catalogue / artist's book.

First monograph dedicated to French architect's “avant-garde” vernacular projects with which he develops, since 1980, a sustainable and ecological architecture.

First issue of the experimental music annual review.

A collection of texts, most unpublished in French.

A collection of mostly unpublished essays, notes and letters which shed a new light on Warburg's last studies.

An artist's book / catalogue that, rather than focusing on the famous images made by Juergen Teller for fashion and luxury industries, aims to underline the particular aesthetic dimension of his photographic work in general.

Reference monograph (available in English edition).

Richly documented, this first monograph published in Europe gathers Larry Bell's archives, alongside with new commissioned essays by the artist, Marie de Brugerolle, Annette Leddy and John C. Welchman.

Richly documented, this first monograph published in Europe gathers Larry Bell's archives, alongside with new commissioned essays by the artist, Marie de Brugerolle, Annette Leddy and John C. Welchman.

First monograph: Charline von Heyl's paintings chronologically presented, each vis-à-vis a detail view manipulated by the artist, with four texts that shed light on the evolution of her work and contextualize her practice regarding the question of the renewal of contemporary painting.

The chronological compilation of Yona Friedman's plans, sketches, drawings, models, collages, installations, etc., since 1945: a monumental publication which offers a complete overview of the work of one of the greatest artists-architects and urbanist theoreticians today, in its many dimensions (urban, economic, ecological, cultural, social and political).

The societal efficacy of art.

First monograph devoted to the visual work of the New York alternative art scene mythical figure, a pioneer of minimalist electronic rock as the co-founder of the cult band Suicide.

First monograph devoted to the visual work of the New York alternative art scene mythical figure.

Reference retrospective monograph: a complete overview of Lynda Benglis' work and life from the late 1960s to the present day, with more than 350 illustrations, about 20 historical or commissioned essays, an interview, famous and unseen archival material, and a complete chronology.