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Adel Abdessemed
 
Adel Abdessemed (born 1971 in Constantine, lives and works in Paris and Berlin) deconstructs identity codes, tackling head-on the tensions that permeate our society. His works, with their typical simplicity—sculptural installations, drawings, photographs, videos and performances—echo precise facts and familiar situations, but go beyond narrative commentary and militant criticism. Adel Abdessemed questions, among other things, the social and economic status of the artist in a system where his foothold is slight, by shrewdly keeping a distance in a gesture of subversive and committed resignation.
Abdessemed refuses to be limited to a single ideology. In his early works he passionately tackled religious, sexual, and taboos subjects and his later exhibitions have often focused on the theme of global violence. In an interview with Elisabeth Lebovici he stated, "I do not live between two cultures. I am not a postcolonial artist. I am not working on the scar and am not mending anything. I am just a detector … In the public sphere, I use passion and rage. Nothing else. I don't do illusions."
Sometimes reduced to a simple word, as in "Mohammedkarlpolpot" (1999), a condensation of names evoking totalitarism and religion, and sometimes complex and monumental installations such as "Habibi" (2004), a suspended skeleton of 17 meters propelled by a jet engine, Abdessemed's practice belongs to a new generation of artists who appeared recently on the French art scene, looking to offer another perspective on culture and identity.
 

 
2011
French edition
JRP|Editions
€40.00 €25.00
Reference monograph (available in English edition).

2011
English edition
JRP|Editions
Reference monograph.

2007
bilingual edition (English / French)
JRP|Editions
last available copies!
New monograph on Adel Abdessemed's videos, installations, scultpures and drawings, as a critique of the various guises of oppression and violence in our modern societies, both in Western and Muslim culture. With an interview and an essay.