Refusing the digital world of late capitalism.

A new field of counter-investigation across journalism, human rights, art and law.

Artaud's last unpublished work.

An essential guitarist for over forty years, and an enlightened partner to John Zorn, Tom Waits and John Lurie, Marc Ribot composes here, through memories, short stories and essays, a self-portrait of rare originality.

Using an interdisciplinary approach inspired by science and technology studies, and combining museological and sociological perspectives, this groundbreaking study of museum storerooms sheds new light on the world of art and cultural heritage conservation.

A both poetic and political text which supports the French social movement that began on 31 March 2016.

The new and definitive edition of Vilém Flusser's fabulous treatise, based on the original French typescripts.

A reflection on our present, through a series of portraits of contemporary artists.

A critical introduction to the life and work of Yugoslav modernist and conceptual art's foremost exponent Ješa Denegri.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

Comprehensive monograph.

An homage to melliferous, unifying art of dance, as captured over the course of 10 years and across four continents.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

First monograph.

The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.

An intimate exploration of the American wedding, an enduring public ritual (new revised edition).

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

The Art of Being Liz Renay is a visual romp through one woman's journey from Depression-era Arizona through the Sexual Revolution, featuring personal photographs curated by Scott Ewalt and essays by John Waters, Cindy Sherman, and Bruce Benderson.

A unique document of America's gay rodeo subculture, National Anthem is a celebration of outsiders and the beauty of chosen families everywhere.

A theory of passive vitalism.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

The expanded reissue of the famous 1976 photo book by Neal Slavin, a pioneer of full-color group portraiture, shedding a striking light on hierarchies and social dynamics in the United States.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal : contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Barbara Chase-Riboud, Michael Chow, Claire Fontaine, Pan Daijing, Es Devlin, Hedi El Kholti, Edwin Frank, Theaster Gates, Nicolas Godin, David Hockney, Alejandro Jodorowsky, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Ariana Reines, Julian Schnabel & Jason Momoa, Hanna Schygulla, Iké Udé, McKenzie Wark, Diana Widmaier Picasso, Yohji Yamamoto.

Meeting between dance and visual arts.

Publication based on an exhibition of work by Nigerian-British photographer Akinbode Akinbiyi and South African artist Abrie Fourie both based in Berlin, and curatorial collaboration between Musée de la Musique Georges OUEDRAOGO de Ouagadougou and Der Projektraum SCHARAUN, Berlin. The curatorial emphasis turns the focus to the idea of sound in photography.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

A book bringing together about 160 portraits of artists when they were "about" five years old.

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution (limited, numbered edition boxed set).

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.