les presses du réel

Ultrablack of Music

sommaire
Foreword – Dark Precursions.
Technocultures, Inhuman Rhythmights and the Ultrablack of Non-Music
JAN HEINTZ

Spectral Composition: On Spectral Music, Drone Metal, and Electronic Music
FRÉDÉRIC NEYRAT

Ultra-Blackness in Music. A Non-Mixology
ACHIM SZEPANSKI

SONIC THANATICISM. A Sensology of The Sonic Capital
HOLGER SCHULZE

Two Fragments About Rhythm and Nano-Fascism
ZAFER ARACAGÖK

Don't Forget to Change The Beat From Time To Time – About Counter-Raving
SHINTARO MIYAZAKI

Surrounded by Immersion - Means of Post-Democratic Warfare
GERRIET K. SHARMA

Connegactive-Approaches, to the Production of Vibrational Matters
TXGEN MEYER

Melody and Morphogenesis. Refrains of Culture, Crystals of Time
TAYLOR ADKINS AND JOSEPH WEISSMAN

in|human rhythms
BERND HERZOGENRATH

From Rhythm to Glitch: Digital Deformation in Deleuze
CORRY SHORES AND MELIKE BAŞAK YALÇIN

The Scream and the Sound of the Flesh
ALGORITHMIC COMMITTEE

Bergsonian Science-Fiction: Kodwo Eshun, Gilles Deleuze, & Thinking the Reality of Time
JOSE ROSALES

Deterritorializations – Field Recordings, Percepts, Smooth Spaces and Bodies-Without-Organs
STEFAN PAULUS

Politiken der Frequenz
MARCUS SCHMICKLER AND JULIAN ROHRHUBER

Nullen & Einsen
THOMAS BRINKMANN

Ten Thousand Million
THOMAS KÖNER

Techno is the Message. Reflections on the Short Circuits of the Electronic Music Industry
ALESSIO KOLIOULIS

Dead Detroit Lies Dreaming: Techno (Anti-)Accelerationism
BENJAMIN NOYS

(Cybernetic-)“Post-Pop”: affect art(s) & (emotional) self-governing
BILL B. WINTERMUTE

(non)biographies


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