A text by Antonin Artaud illustrated with a 15-minute unreleased sound piece by Nurse With Wound entitled To Another Awareness.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

Specially designed box containing a series of five books conceived by the New York–based Swiss artist Ugo Rondinone, published over two years to accompany a cycle of exhibitions devoted to works inspired by the color spectrum, with the centerpiece being Vocabulary of Solitude, forty-five life-size sculptures of clowns. Limited edition of 100 copies, box set signed by the artist.

The third and last volume of the publication dedicated to the French underground musical scene.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Pauline Oliveros's early and rare electronic works in a strictly limited edition on silver vinyl—with no reprint.

Beautifully produced LP of birdsongs from Venezuela, originally released in 1973 by the famous French ornithologist. Introduction by David Toop.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

A collective photographic series focusing on the on the subject of agalmatophilia—the sexual attraction for statues.

Henning Christiansen: Freedom is Around the Corner, the third issue of Blank Forms' journal, is released in conjunction with a retrospective exhibition and performance series of the same name, devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932–2008).

A bible for graphic designers: first publication dedicated to “Color Library,” the database of color profiles for artists, designers and printers created at ECAL – University of Art and Design Lausanne. It features documentation on the various tools offered by the platform, a visual essay by Shirana Shahbazi, and texts by specialists.

Borrowing its title from an unfinished documentary film on post-independence Guinea-Bissau, this reader stems from a conference which brought together artists, writers and researchers to address issues related to the people's struggle for independence from Portuguese colonialism and subsequent nation building. The contributors also engage in a reflection on the experimental use of archives in their research.

New paintings, sculptures, photographs and site-specific installations.

This publication surveys the work of Italian critic, architect, and visual artist Gianni Pettena. Focusing on a rich ten-year period of production that began in the mid-sixties, it brings new attention to the artistic and intellectual practice of a figure known primarily as one of the main exponents of the Radical Architecture movement.

How is the social importance of VIPs defined, and what is an art institution's attitude towards this? The Korean artist Haegue Yang addressed this issue in developing the VIP's Union project, which she started in 2001. This catalogue reviews the work's development over the years, and includes iconographic documentation, genealogy, essays and an interview with the artist.

Text transcript of the speech given by Evan Parker in May 1992 in Rotterdam as part of a series of concerts on the theme “Man & Machine.” Dedicated to Buschi Niebergall, De Motu brings a fascinating insight into the art of the British saxophonist.

Interdisciplinary study gathering critical essays and visual contributions attempting to rethink environmental aesthetics beyond the idea of landscape.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

The contributions in this reader seek to understand how artists move through the world, and how that movement might necessitate other roles to pursue a project, a position, a politics, or a practice.

The importance of Gordon Matta-Clark's work in a revaluation of architecture after modernism.

Through numerous previously unpublished pictures and essays, this publication explores the history of the playground as it was shaped by education, architecture, art, and politics, and pays tribute to the most important figures, many of them forgotten today (second revised and expanded edition).

This collective publication discusses the renewed encounter between dance and performance and the institutions of global contemporary art, marking one of the most significant set of developments in the art field over the last decade.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

In this lecture, creative director Virgil Abloh takes us behind the scenes of his design process, sharing the essentials of editing, problem-solving, and storytelling.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

A collection of visual incursions by Italian artist Emilio Prini in dozens of exhibition catalogues and print publications over the course of five decades. Meticulously researched, and yet necessarily incomplete, this book is a glimpse into the subtlety with which Prini turned each engagement with the world of ideas into a joust for mastery over space, time, and form.

An interdisciplinary analysis of the city of Palermo commissioned by Manifesta 12 and undertaken by the Office for Metropolitan Architecture. The research explores the architecture, archaeology and anthropology of the city, its historical archives and personal stories.

This pioneering group study accompanies the reader on a modern Grand Tour amid Italy's contemporary ruins.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

The current panoply of private initiatives in the museum world.

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

35 years after the release of their critically acclaimed albumVibrant Stapler Obscures Characteristic Growth the British dadaist group Hastings of Malawi have released a new album—an epic sound poem entitled Visceral Underskinnings. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

A panorama of the world of do-it-yourself fanzines.

A multidisciplinary approach of ecosocial design.

Juillet features a small selection of Ronan Bouroullec's recent drawings.

Limited special edition, signed and numbered by the artist with a custom seal. Also included is a card of the 50th and final lifecast self portrait of Edmier made on the exact minute of his 50th birthday and the day of the exhibition opening at Petzel Gallery. Special editions come in a set of 2 books: one first edition copy & one sealed and signed by the artist with the final card.