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Artforum #57-3 – November 2018

table of contents
COLUMNS

ARCHITECTURE
Ian Volner on the Venice Architecture Biennale

TELEVISION
Mychal Denzel Smith on Random Acts of Flyness

FILM
Melissa Anderson on Luca Guadagnino's Suspiria
Erika Balsom on Chris Kennedy's Watching the Detectives

ON SITE
Ciarán Finlayson on Thomas Cole and Ed Ruscha

TOP TEN
DonChristian

FEATURES

GRAVITY AND GRACE: THE ART OF MAREN HASSINGER
Rachel Churner

THROUGH THE PAST, DARKLY: THE ART OF EUGÈNE DELACROIX
Ewa Lajer-Burcharth

THE PRICE OF INTIMACY: HUBERT FICHTE
Diedrich Diederichsen

PROJECT: KYLE VU-DUNN
Alex Jovanovich

CLOSE-UP: KINETIC ELEGY
Catherine Damman on Chris Cochrane, Dennis Cooper, and Ishmael Houston-Jones's Them, 1986

1000 WORDS: ROCHELLE FEINSTEIN
Jennifer Kabat

REPAIR, OR REVOLT? PROJECTS ON POLITICS: SUE WILLIAMS, JIM SHAW, ED RUSCHA
David Velasco

CLOSE-UP: STATIC SHOCK
Amy Taubin on Andy Warhol's Jack Smith, 1964

OPENINGS: CANDICE LIN
Michael Ned Holte

REVIEWS

Chloe Wyma on Dorothea Rockburne

Lydia H. Liu on Xu Bing

From New York, Water Mill, Chicago, Santa Fe, Portland, Los Angeles, Toronto, London, Swansea, Paris, Berlin, Hamburg, Dresden, Zurich, Vienna, Milan, Lisbon, Helsinki, São Paulo, Mexico City, Shanghai, Sharjah, Ho Chi Minh City, Johannesburg, Accra, and Sydney
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