Historically important pieces documenting John Cage's early electronic and tape practice.

Historically important pieces documenting John Cage's early electronic and tape practice.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

A transcript of the earliest of John Cage's extended writings.

Two talks about John Cage and the concept of structure by American poet, critic, linguist and performance artist.

The French translation of David Grubbs's long-awaited study of the role that sound recordings play in representing experimental music of the 1960s.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

The new alchemical collaboration between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti.

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

An ideal introduction to Lucier's late music.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

A book and CD homage to the New Zealand-born American composer Annea Lockwood.

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

The definitive edition of the historical recording of Julius Eastman's major piece performed in 1974 by S.E.M. Ensemble, remastered by Jim O'Rourke, available on vinyl for the first time.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

The Dedalus Ensemble revisits the three pioneering works of ambient music.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

The Dedalus Ensemble revisits the three pioneering works of ambient music.

The concrete, electronic sounds of the Langham Research Centre (here Iain Chambers and Robert Worby) combine with the acoustic qualities of John Butcher's saxophone in an extended improvisation session.

The complete anthology of solo and duo violin pieces by legendary American experimental composer Christian Wolff, performed by the New York violin duo String Noise (Conrad Harris and Pauline Kim Harris).

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

Morton Feldman's last composition, performed by dissonArt Ensemble.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

A retrospective.

Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

A how-to manual for free improvisation music.

"Out of Our Hands" brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions.