Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

An artistic journey along the watershed in the Parc Naturel Régional des Monts d'Ardèche, narrated by Charles Berling (featuring Gloria Friedmann, Kôichi Kurita, Olivier Leroi, Henrique Oliveira, Stéphane Thidet, Felice Varini, Gilles Clément...)..

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

Gilles Coudert's film, narrated by Charles Berling, stages a dialogue between contemporary creation and heritage on the occasion of Traversées, a cultural event organized in Poitiers, with Korean artist Kimsooja as guest of honor.

This film by Gilles Coudert, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage fostered by the Domaine de Chaumont-sur-Loire, Centre d'Arts et de Nature, which encompasses the château and its contemporary sculpture park.

Told by Charles Berling, the film by Gilles Coudert juxtaposes the director's experience as an adolescent growing up in the biggest project ever built by Le Corbusier in Europe, in Firminy, France with insights from several contemporary artists including architects, a choreographer, a filmmaker, a designer and a composer. Architectural historian Jean Louis Cohen provides comment as do several inhabitants and users of Le Corbusier's complex.

Belgian composer Gobert presents a chisselled and chaotic form of “Chamber Electronic Music”, for piano and laptop, in duos with pianist Nao Momitani and his [KNAPP] bandmate, Gilles Doneux, for Sub Rosa: a subtle mix of electronic composition and contemporary touches.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

A collection of texts by philosopher and essayist Gilles A. Tiberghien devoted to landscapes and gardens (new expanded edition).

Nine texts by Gilles Barbier.

Nine texts by Gilles Barbier, accompanied by an unique work, resin and feathers on cardboard.

A manual for massive stone construction, by a pionneer in sustainable and ecological architecture.

A manual for massive stone construction, by a pionneer in sustainable and ecological architecture (available in English edition).

A collection of previously unpublished photographs taken in a strip club in New York in 1976.

First monograph dedicated to French architect's “avant-garde” vernacular projects with which he develops, since 1980, a sustainable and ecological architecture.

An essay based on a group exhibition conceived by French philosopher and writer Gilles A. Tiberghien.

An erotic series of staged photographs exploring the margins of sexuality, including bondage and fetishism. The use of chiaroscuro shapes the woman's body in a refined and vintage manner, light beams and shadow play contribute to create an atmosphere close to goth & queer aesthetics also close to Pierre Molinier's works.

New monograph (also available in English edition).

New monograph.

First monograph.

Unpublished text with an original silkscreen print signed by the artist.

A previously unpublished text by Gilles Deleuze on Francis Bacon, with a set of contemporary readings of his Deleuze's writings on art, by philosophers and theoreticians of the various disciplines addressed (literature, cinema, music, art history...).

A philosophical essay reflecting on ethics and poetics through the thought of Gilles Deleuze.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

An artistic inquiry into "future nostalgia".

The relationship between art, agriculture, and biodiversity.

Fatima-Zahra Lakrissa revisits a sequence of Morocco's cultural history: the encounter of two anthropologists and the intersecting history of their approaches to popular and traditional art objects.

22 international architects and architect-researchers collectively question what architecture can do.

The fourth and final issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

"The architect is an intellectual who draws": drawings made “by hand” by 24 contemporary architects, collected by Bernard Quirot.

This film by Véronique Godé and Damien Faure, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage within the Château d'Oiron (Centre des monuments nationaux, located in the Deux-Sèvres department, in Poitou), where Jean-Hubert Martin has created a cabinet of curiosities based on works from the collection of the Centre national des arts plastiques.

A specialist in French philosophy and literature, and a key intermediary in Japan for the work of Deleuze and Guattari, Artaud, Beckett and Genet, Uno Kuniichi publishes in French his fundamental text on Antonin Artaud, a revised, recomposed and expanded version of his thesis, written under the direction of Gilles Deleuze in 1980.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

This book brings together over 500 drawings from the Antoine de Galbert Collection, gathered over a period of almost 40 years. Works by 213 artists are presented in the form of an alphabet book, generating chance encounters.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

Gilles Clément and Frédéric Lapouge, two atypical gardeners from different social backgrounds, share their views on their common passion.

Famed Italian visual artist and curator Maurizio Cattelan and curator Sam Stourdzé offer a rereading of the history of color photography through the 20th century into the 21st, and through the works of over 20 artists (as well as the cult images of Toiletpaper) who take us on a journey into vibrant, acidulous worlds.

69 different personalities share their unique experiences of Laurent Fiévet's work, inviting us to rethink our relationship with images.

An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

A specialist in French philosophy and literature, and a key intermediary in Japan for the work of Deleuze and Guattari, Artaud, Beckett and Genet, Uno Kuniichi publishes in French his fundamental text on Antonin Artaud, a revised, recomposed and expanded version of his thesis, written under the direction of Gilles Deleuze in 1980.

The second issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.