The first issue of the journal-poster series brings together 16 photographs by Yann Toma together with unpublished texts by the artist, by Francis Noudelmann, philosopher, and by Sylvain Lecombre, director of the Musée Zadkine in Paris.
Each issue of the 127 Series is both a journal and a poster in which a contemporary artist shows what he never exposed: his photographs.
The journal (25 x 35 cm) gathers a set of photographs and texts on the artist's work. On the back of the unfolded journal, the poster reveals a large original photograph by the artist (70 x 100 cm).
Yann Toma's artistic process began in the early 90's with the salvaging of archives of the former electric compagny Ouest-Lumière. He thereby appropriated a symbolic network, an industrial infrastructure which he turned into his research field and the very matter of is artistic activity. Yann Toma registered the name and the brand Ouest-Lumière and declared himself Chairman for Life.
His gradual interest for politics and social movements of 1992 and 1995 in France built an area of reflection for Yann Toma around the realization of a conceptual system capable of rendering an account of its time, but also to think of a new relation to artistic production by feeding from the individual energy. Very quickly, the Ouest-Lumière system is put together when the artist, after having elaborated a plastic vocabulary in relation with light, brings forth processus which involve individuals on the long run and give them a responsability. By creating a network of shareholders structured around an energetic leadership which he embodies, he opens a field of possibilities and aims at production of immaterial energy. This work, sometimes playful and others critical, gives birth to pieces embracing the notion of free access and responsability. Yann Toma place the Ouest-Lumière compagny in a logic of public intervention and of capital expansion. He embodies both the compagny and its demiurge leader.
The activities, carried out at an international level, have intensified since 2000, which leads him today to work in Scandinavia, United Stated or India. He is part of the network of the so-called "critical enterprises" and evolves within a zone of artictic exchanges, led by entrepreneurial artists groups.
Since 2009, Yann Toma sits within the UN as an artist observer.
At this day, his work is part of many collections, more precisely the Pompidou Center's, and has been inventoried by the Fonds National d'Art Contemporain in 2007.