A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

An anthropologist's view of contemporary African creation.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

The multiple faces of popular dances in contemporary choreographic creation.

Vegetal life at the forefront of philosophical thought.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

20 proposals for the intersection of artistic practice and research in academic milieu.

A reflection on the aesthetic stakes of baroque dance, resituated in the vast field of contemporary dance.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

A reflection on the stakes of the analysis of dance works and the education of the gaze.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Thinking design with philosophy (a teaching manual).

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

An essay on dancing corporality as a complex system of interacting elements.

Analyzing his own work but also the emblematic works of Brazilian artists Luiz de Abreu, Micheline Torres and Marcelo Evelin, the dancer and choreographer Volmir Cordeiro invents here, through writing, a sensitive form where creation is inextricably linked to his position as a researcher and to his view as a spectator

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

The second volume of a diptych dedicated to the question of the memory of works in dance.

The first volume of a diptych dedicated to the question of the memory of works in dance.

Learning jazz dance.

Amateur practices in contemporary dance.

Historical and aesthetic approaches of jazz dances.

A philosophical and artistic questioning on the singularity of the notion of time in contemporary dance.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

A series of previously unpublished lectures by American dancer Jerome Andrews, from 1968 to 1980.

A collective essay focusing on the intersections between contemporary dance and literature.

A fascinating reflection on the reception of butoh dance in France.

Collection of essays on dance revolving around the notion of “body.”

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

The fictional biography of a dancer, inspired by interviews conducted by the author with dancers of all origins and age.

A pluralistic approach to nature (after Alfred North Whitehead).

An essay that aims to reconstruct another metaphysics, substituting the primacy of life, matter, and consciousness, to that of reason, on the basis of a philosophy of nature (referring to Ravaisson, Tarde, Nietzsche and Bergson) and a renewed cosmology.

Common sense: a philosophical investigation (after Alfred North Whitehead).

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

How to organize introductory dance classes (educational booklet).

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

The critical edition of Hans Hartung's autobiographical writings.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Transmitting specific technical skills in contemporary dance (an educational booklet).

The musical education of the dancer (an educational booklet).

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.