United States

An essay / fully illustrated monograph on choreographer and dancer Jennifer Lacey and artist and scenographer Nadia Lauro.

First monograph on the Californian artist.

Conditions, procedures, framing and circulation of art works.

Based on an exhibition curated by Christophe Cherix and John Tremblay at the Print Room of Geneva, this volume presents an overview of the use of vacuum-formed plastic in art of the last forty years.

An artist book that combines title pages from sheet music found in a second hand store in Los Angeles with drawings and aerial photographs of L.A.

Artists' book: the materialization of John dewey's conceptual system.

This publication, conceived by Peter Downsbrough, includes three unpublished texts and constitutes a real artist's book. A work on the notion of position and centring which questions the relationship between space and language.

Recent works by American artist, with several illustrations and preparatory drawings, as well as an essay by Robert Hobbs and a biography.

The sculptures, installations, and drawings by the New York-based artist are presented in this first monograph as a journey through the American suburban imagination.

Reference monograph.

A record of Tuxedomoon covers.

Comprehensive monograph on the US artist.

Comprehensive monograph on the US artist, containing a collection of films.

Artists' book with new drawings.

Produced as part of a Continuous Project residence, the collective's final publication brings together contributions from artists, philosophers and art critics around the relationship between art and politics.

Artist's book.

A discussion of art and entertainment and their conflictual relationship (interviews and essays).

First monograph devoted to the Californian artist.

Details shows a succession of scenes filmed in static shots, appearing behind words letters cut on a black screen, giving the word the function of the frame and therefore rephrasing the link between language and image.

A video creation by one of the most famous representatives of conceptual art, exploring relations between language, time and space.

First monograph of the American artist and movie-maker.

An unique compilation of writing around art and cultural politics in America since 2000 (Giorgio Agamben, Bernadette Corporation, Trisha Donnelly, Isabelle Graw, Robert Morris, Seth Price...), as an addendum to the traveling exhibition curated by Daniel Birnbaum, Gunnar Kvaran and Hans Ulrich Obrist.

A fully illustrated, artist-designed catalogue.

Drawing upon the classic notion that flowers are imbued with meanings and a specific set of semantics with idealistic and hopeful connotations, Sicily-based artist Aleksandra Mir has edited and revised the botanical code in a more socially relevant fashion.

An unpublished interview with the American artist, a series of photographic boards and an essay by Kay Rosen: a presentation of her recent works as well as a general introduction to her oeuvre.

An impersonal autobiography (artist's book).

Dick Higgins, one of the main figures of Fluxus, points out the particularity of poet-artists who, since German and English Romanticism, have refused to make distinctions between what is sonorous, visual and written.

Illustrated monograph dedicated to the American hyperrealist artist's drawings. With texts by Kim Gordon, Liam Gillick, Karl Holmqvist...

Artist's book.

An overview of the Californian art scene from 1990 to the present.

Monograph featuring works from 2001 to 2004.

First publication of Le Va's scrapbooks.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

108 textual fragments of a journey through the Eastern United States.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

An exploration of the body in contemporary culture (artist's book / collection of texts).

Catalogue of an exhibition at the JFK airport, closed by the authorities just after the opening night party (with Vanessa Beecroft, Douglas Coupland, Kendell Geers, Dan Graham, Fabrice Gygi, Mark Handforth, Ryoji Ikeda, Jonathan Monk, Tom Sachs...).

Reference monograph.

A video triptych.

Catalogue.

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

An urban journey.

Reference monograph.

The art scene for collectors, and art and economics.

An investigation into the relationship between art and entertainment.

Artist's book: an invitation to travel by way of a mappemonde punctuated by lines and photographs of city spaces.