China

Novel (an adaptation and transformation of the classical Chinese novel Jin Hua Yuan, or Flowers in the Mirror).

The movie.

Five road stories.

The Beijing report: a portrait of a changing situation and unique generation of cultural producers in China today.

Artist's book.

Publication bringing together a series of self-portraits inspired by the expressive vocabulary of the mask. The photographs showcase a multiplicity of feelings contradicted by paradoxical captions.

An adventurous sonic exploration of the voice, cello and electronics.

An overview of Huang Yong Ping's work since the mid-1980s, a full documentation on a series of recent exhibitions, two essays by Jean Loisy and Gilles A. Tiberghien and an interview.

This monograph is dedicated to Stelarc—the body artist known for his radical performances involving robotic prosthetics.

Curating a private collection.

A series of "slogans" created from names collected on limited series cars.

This reference monograph on Ai Weiwei's work offers an overview of and an in-depth reflection on the artist's most vibrant and celebrated projects.

The main schools and illustrious figures of Contemporary Chinese Art.

A project (photographs and video stills) originated in audio and visual footage gathered on journeys to the Chinese province of Yunnan.

Two essays in which the Italian philosopher proposes a study of the concept of festivity.

Catalogue / first monograph of the Chinese artist (films and videos).

A collection of texts and interviews around the artist's work.

Chen Zhen talks to Daniel Buren, Hou Hanru, Eleonor Heartney, Emma Lavigne, Ken Lum, Enrico Lunghi, Yves Michaux, Hans-Ulrich Obrist, Jérôme Sans and Nari Ward and others who shared his adventure in art.

A first in-depth study of filmmaker Tsai Ming-liang's universe, both sensual and solitary.

A first in-depth study of filmmaker Tsai Ming-liang's universe, both sensual and solitary.

Conversation between six artists from six Asian countries.

Monograph on the Hong Kong filmmaker, a true aesthete of modernity.

Monograph on the Hong Kong filmmaker, a true aesthete of modernity.

Catalogue documenting one of the very first exhibitions of the Chinese artist in France, where was presented the installation Sleeping Tao. The publication includes texts by Adelina von Fürstenberg and Fulvio Salvadori, as well as an interview with Chen Zhen by Jérôme Sans.

A series of recent drawings by London-based artist Faye Wei Wei.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Spring / summer issue of the French magazine dedicated to contemporary art, photography, and fashion, edited by Guillaume de Sardes: “writers and photographers”—a special feature with Maxime Du Camp, Claude Simon, Hervé Guibert, Denis Roche, Jacques Henric, and Alain Fleischer; artistic journeys in China; portraits and interviews, photo creations…

This catalogue presents an art-historical angle on Chen Zhen's unique way of questioning his experience of globalization through art.

Jean Epstein's complete writings.

100 minutes of electronic noise music and harsh speeches: a road movie between Beijing and Shanghai featuring Torturing Nurse, Wang Changcun, Wang Fan, Li Jian Hung / Dickson Dee, the poet Sun Meng Jin and Zbigniew Karkowski as radical red line.

Artist's book (monochrome prints of Terence Koh's haunting photography layered with drawings).

The catalogue of the art & architecture festival in Anyang (South Korea).

Illustrated catalogue of the exhibition Hartung in China, on the relations between calligraphy and Western painting, taking Hans Hartung's work as starting point.

Catalog published for the two exhibitions of the artist in Shangai and Guangdong in 2005.

First monograph.

First monograph.

Chen Zhen talks to Daniel Buren, Hou Hanru, Eleonor Heartney, Emma Lavigne, Ken Lum, Enrico Lunghi, Yves Michaux, Hans-Ulrich Obrist, Jérôme Sans and Nari Ward and others who shared his adventure in art (available in English edition).

Foreword The Rodin Gallery has benn the site of an outstanding series of exhibitions featuring a wide spectrum of contemporary artists and including works such as The Gates of Hell and The Burghers of Calis by modern sculpture's seminal artist and master, Auguste Rodin. Thus it gives us great pleasure to develop for the first time a collaborative work with Le consortium, a leading contemporary art center in France on the occasion of the presentation of Wang Du's Disposable Reality. Wang Du, who was trained as sculptor in China within an academic tradition, works with images taken as readymade from newspapers, magazines and advertisements and transforms these two dimensional media images into three dimensional painted sculptural works with his own masterly skill. Through the information conveyed by articles on politics, economics, society, sports, leisure and fashion the artist expresses his feeling, often in a pointed, satirical manner, about the ordinary and our social reality. In this exhibition I believe there is special meaning in seeing the direct confrontation and dialogue between the works of Rodin, which deal with human emotions and those of Wang Du, which deal with contemporary issues in our daily life with sculptures as a common denominator. The vocabularies of contemporary art have expanded so much that somtimes we have a tendency to consider painting and sculpture to be outmoded media fot artistic expression. However, it is high time to demonstrate that it is not the medium which matters, but how it is used. Ra Hee Hong Lee Director, Samsung Museum of Modern Art