Art & environment / ecology

The fifth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, is devoted to the theme of water and fluids.

Vegetal life at the forefront of philosophical thought.

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

A series of drawings created by Cornelissen after a stay in Svalbard, where he resided in 2018 at the invitation of the Arctic Center of the University of Groningen, and during which the focus of his work slowly shifted from political mythology to ecology.

This issue of the magazine Palais is published on the occasion of a season of exhibitions at the Palais de Tokyo entitled Reclaim the Earth:, which brings together fourteen artists who seek to develop new connections with nature, the living world and the environment.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

The ecologies of experimental cinema in the Anthropocene age.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

The second part of the research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

The tenth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, on the theme of the never-finished city, in the context of the large-scale crises that overwhelm us and require us to imagine a new alliance of uses and forms to allow to think that the unforeseeable is possible.

An essay on the climate crisis by Erri De Luca.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

A long history of Fourierism in France, Great Britain and the United States, based on the theme of cooperation.

Retrospective monograph.

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

Architect Philippe Chiambaretta brings together thinkers, researchers and contemporary artists in the 5th edition of the exploration book-magazine Stream, which investigates the different forms of intelligence that must be considered, implemented and passed down to move beyond the Urbanocene.

Forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current dramatic evolution of the oceans.

Microbial oceanography as a means to better understand the conditions of life (and survival) in the Anthropocene era.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

A provocative and stimulating manifesto by Benjamin Bratton that promotes new ways of inhabiting (and artificialising) the planet, facing the environmental, economic and social crisis that radically belies the possibility of a continuation of the current globalised capitalist model.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Art, environment and climate emergency.

The twelfth volume of the Critical Spatial Practices series focuses on “Don't Follow the Wind,” the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone.

A new interpretation of the explosive frog breeding phenomenon.

After the first two issues Mineral Pornography and Vegetal Trauma, the 3rd issue of Spectre invites contemporary artists to deliver their interpretation of contemporary ruins.

Art & microbiology: an essay on the critical, ethical and historical dimensions that result from the entry of microorganisms into the creative process, between art and science.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

First monograph.

Vegetal life at the forefront of philosophical thought.

The dimension of the transitory in the fields of architecture, urbanism and design, as a new horizon of thought and action concerning all aspects of urban life, in its economic and ecological complexity.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

Charles Fourier and ecology.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

A study of clouds through photographs, drawings, essays, and interviews.