Switzerland

How teaching art functions.

Portrait of a teenagers' community.

Artists' book with new drawings.

This publication is a compilation of unpublished pictures from the graphic design studio FLAG.

A critical counterpoint to the famous Tzara's cronic published in the Dada Almanach, by the founder of the Cabaret Voltaire.

Recent works.

Retrospective publication, exhaustive documentation.

Monograph featuring works from 2001 to 2004.

First monograph on the Swiss artist, winner of the Prix Manor 2005.

Baudevin's interviews about contemporary music (also in English edition).

A retrospective of Armleder's work in 600 drawings.

Reprint of the first Dada anthology (Berlin, 1920), with Tzara's chronicles, manifests and documents.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

Extensive monograph with serigraphs.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

108 textual fragments of a journey through the Eastern United States.

This first monograph (both a study and an essay) highlights the diversity and span of Adrian Schiess' work.

Catalogue.

Honegger' eclectic writings since 50 years.

Portraits of the workers on the tramway line in Strasbourg, with texts by Philippe Lacoue-Labarthe and Jean-Luc Nancy.

A surprising book-object created by the artist.

Artist's book (photographs taken on the road).

Monograph / interview.

The first monograph dedicated to the collaboration between two artists.

Collection of interview and essays (Parrino, Morris, Armleder, Veilhan, Walsh, Mosset, Gygi, Miller...).

Exhibition catalogue (texts by Christophe Cherix, Sarah Lombardi, Olivier Mosset, Caroline Nicod, Bernard Wyder, interviews by John Armleder, Rene Berger, Pierre Keller).

All black and white photographs reproduced in the book as well as the cover image were taken by Gygi during the winter 1990-1991. Immediately thereafter, the quasi totality of the negatives were stacked in a press and pierced with a drill. 4 - color leaflets present recent works of the artist.

This biography of Hermann Hesse by his friend Hugo Ball is one of the best exposés of his spiritual journeys, and also an approach of Ball's own fundamental themes

Exhaustive first presentation of Christian Robert-Tissot's work.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Unpublished text with an original and unique artwork on Rhodoid, signed by the artist.

Monograph.

Unpublished text, original silkscreen enhanced by hand and signed.

The series of engravings A Sheet of Paper, with which Rémy Zaugg develops his reflection on the exchange of the glance between the spectator and the work

Preliminary graphic designs for paintings.

Catalogue.

Paintings, photographies of two exhibitions, exhibitions plans.

Reference monograph.

Reference monograph, with an introduction by Max Bächer and texts by the artist and architect.

Original lithograph on paper, numbered and signed by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.