Cinema

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

Studies for paintings and sculptures.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack in the vinyl and CD formats, an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky, and the Blu-ray version of the film, in original language with English subtitles.

First comprehensive monograph on British experimental filmmaker Ben Rivers.

Although the short-lived Brazilian cultural movement known as Tropicália is most commonly associated with music and the visual arts, its sense of playfulness and strategies of appropriation have stimulated many of the country's filmmakers from the 1960s to the present. This richly illustrated publication features essays, interviews, and manifestos with many key filmmakers and scholars reflecting on Tropicália's influence on Brazilian cinema.

First English edition of a colossal volume on Pasolini's cinematographic oeuvre, first published in the 1980s in Italy: 2.000 film stills ranged under the categories of “bodies” and “places”, with analysis and a compilation of texts by Pasolini. A Pasolinian publication in terms of both content and form, as well as an indispensable tool for research. The book contains also the original text in Italian.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

Compilation album Metaphors contains 14 soundworks carefully selected from the Cinema of the Thai film director. Includes Uncle Boonmee Who Can Recall His Past Lives, Syndromes and a Century, Fever Room and more.

The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.

This 3CD set gathers the complete work by Luc Ferrari for films  from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments. These rare and for the most part unpublished recordings comprise collaborations with Jean Cocteau and Jean Tinguely.

This artist's book compiles true propaganda photographs of the Third Reich with stills from actors playing Nazis in Hollywood movies: a radical commentary on our alarming present condition, in which the lines between populist and fascistic politics are increasingly blurring.

Unreleased recordings composed for the cinema and the television.

Catalogue dedicated to the late American artist: an influential photographer, writer, filmmaker, theorist and critic whose works have been a unique reference in debates and conversations about photography, art and politics for over 40 years. The publication includes a historical and analytical text by curator Marie Muracciole, as well as a 20-page photographic booklet.

The new novel by Keren Cytter: an incomplete guide for life.

The first monograph to focus exclusively on Paul Sietsema's paintings and drawings.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

Initiated by filmmaker Raya Martin and critic Antoine Thirion, UNdocumenta is the catalogue of the eponymous film festival revolving around the lost accounts of cinema (through material destruction, acts of censorship, political, economic or human contingencies) and condemned histories of nations (by social displacement, cultural annihilation or deliberate disappearance).

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Over 300 watercolors inspired by the film Rambo II (artist's book).

The place of films and moving images in the field of contemporary art.

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

Artist's book (drawings).

Jean Epstein's complete writings.

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A series of essays and close readings of Steyerl's films from the past ten years.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

First monograph.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

The art of filming.

Interviews with Jean-Marie Straub & Danièle Huillet conducted and recorded by Thierry Jousse.

An anthology of films by the Australian sound poetry / film-maker / artist group.

Theory, Spectacle and Film in the thought of Guy Debord and Raoul Vaneigem.

Comprehensive monograph.

This book brings together authors, filmmakers, curators, critics, theorists, art historians, collaborators, and Stephen Dwoskin's film lovers, invited to parse the American filmmaker's work.

Interviews.

In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in.

Interviews and images of the work of the Los Angeles-based artist Paul Sietsema.

An imaginary conversation between two filmmakers that evokes memories from the conflicts between Israel and Lebanon, and the way the memory and the testimony inevitably mix fiction and documentary.

The annotated facsimile of the original Portuguese edition of Aimé Césaire's fundamental anticolonial text from 1950, banned during the Portuguese dictatorship (but clandestinely published by Filipa César's father in 1971).

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

Jean-Marie Straub and Danièle Huillet's writings, from 1954 onward.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

A typographic composition inspired by Shining accursed writer's manuscript in which only appears one sentence, constantly repeated: “All work and no play makes Jack a dull boy.”