Italia

Monograph.

A time machine, bringing out the past and casting it into a new light, Charley 03 presents 100 artists from the 80s and 90s.

This publication assembles twenty years worth of social, aesthetic and philosophical reflexions that essentially place the individual within the contemporary community.

Charley 02 is a packet of postcards providing a snapshot of the New York City art season in 2001-2002 (works by F. Alÿs, D. Birnbaum, M. Bonvicini, O. Breuning, M. Cattelan, U. Fischer, D. Graham, M. Kippenberger, A. Oehlen, O. Payne & N. Relph, R. Phillips, G. Richter, D. Roth, U. Rondinone...).

Charley 01 features 400 emerging artists from around the world, selected by a pool of international artists, curators, critics and art professionals (works by Martin Boyce, Mark Handforth, Olaf Breuning, Franz Ackermann, Christoph Büchel, Barthélémy Toguo, Jonathan Meese, Mathieu Mercier, Wade Guyton, Mark Leckey...).

A true false Caribbean biennial imagined by Maurizio Cattelan for ten real artists.

Oil and wax on aluminium; interview.

Unpublished text, signed original artwork, unique for each copy

At the heart of the debates which over the past forty years have made design what it is, the work developed by Andrea Branzi stands out as that of a theoretician of design, as much in terms of his production, his writing and lecturing (comprehensive monograph).

At the heart of the debates which over the past forty years have made design what it is, the work developed by Andrea Branzi stands out as that of a theoretician of design, as much in terms of his production, his writing and lecturing (comprehensive monograph).

This "book of hours" is a first time assemblage of a large number of project drawings.

Five unpublished short stories illustrated by an original lithograph signed by the artist.

Catalogue dedicated to the exhibition held by the pionneer of Arte Povera at Le Magasin in 1986 in France. With a text by Franz Kaiser.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with a introduction by Michel Seuphor.

Reference monograph, with a introduction by Michel Seuphor, with an original lithograph, numbered and signed.

Silkscreen (120 numbered and signed copies limited edition).

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

The 2024 Toilet Paper wall calendar.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A panorama of the art of ceramics.

A new collectible artist's book commissioned by Bottega Veneta with Gaetano Pesce and Matthieu Blazy.

The 2023 Toilet Paper wall calendar.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.

The 2022 Toilet Paper wall calendar features food-themed photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their cult and obsessive image-only magazine.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

The first book to cover the entire span of the “anarchitect” Gianni Pettena's career.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

Publication documenting a centuries-old choreo-musical ritual from Southern Italy, used to exorcise women of a mysterious evil caused by the bite of a spider. It gathers contributions by artists, sociologists, anthropologists, scientists, and priests, and features a large ensemble of photographs.

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

Artist's book.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

Art and feminism in Italy in the Seventies.

Limited edition, with an exclusive Toilet Paper poker cards set.

A reflection on the genealogy of objects (artist's book).

A contemporary narrative, an artist's book, a surprising journey into a place that we thought we knew.

A photographic inventory.