Conceptual art

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

A comprehensive overview of the artist's body of work.

Badge in reference to the artist's work entitled C'est selon, ORDONNER.

An punk anthology of texts.

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.

First monograph of the conceptual American artist.

Vinyl EP (live performance).

A re-appropriation of the comic books iconography.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

The first English language monograph on Lo Savio.

Claude Rutault's writings on relationships between painting and photography.

Two artist's books reprinted with a third book never published.

This book presents the whole texts of the Living series by Jenny Holzer, printed on 400 tracing paper pages.

Live recording of two performances given by the artists in France.

Artist book from a 16mm film in which an urban scene is repeated several times with slight variations.

Venet's writings.

A collection of Dan Graham's articles about rock and experimental music.

First artist's book by Morris.

Reproduction of the artist's book published in 1975.

This artist's book, printed in blue, contains a text by Jean-Claude Lebensztejn and an intervention by Lawrence Weiner.

Artist's writings.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by Bas Jan Ader, Paul McCarthy, and Thomas Crow, biographical and bibliographical notes.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Exhibition catalogue.

Artist's writings.

Drawings and photographs by the artist / text by Lydia Lunch (hand numbered limited edition).

16 colour postcards

Artist's book: an album of twelve black and white boards realized specially for the project.

Exhibition catalogue.

Cindy Sherman's first catalogue.

An interview between the philosopher René Denizot and the artist Giulio Paolini.

A long interview between the philosopher René Denizot and the artist Robert Barry.

Portrait of On Kawara by René Denizot.

Artist's book.

Vinyl EP record.

1970 artist's book: Buren explains and positions his work with commented plans.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).