Switzerland

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

An unprecedented insight into the artist's 1990s fashion collection.

A retro-futuristic graphic novel by the Swiss artist.

In addition to providing an unprecedented overview of the Swiss Surrealist artist Walter Grab's oeuvre, this catalogue also presents a wide range of different angles on his art, including subjective looks at individual works, art history essays and an associative correspondence using the cadavre exquis technique that was so dear to the Surrealists.

The naturist films of the Swiss director Werner Kunz (1926-2018), pioneer of sexual liberation in cinema.

A reflection by the architects of Fagart & Fontana on the renewal of the city from within and more specifically on the processes of transformation and adaptation of existing collective housing to new needs and lifestyles.

Alien Armpit brings together short texts and images that the artist Vanessa Safavi made between 2013 and 2022.

293 new digital drawings by the Swiss artist.

The catalogue of the 17th Geneva Biennial, dedicated to artists' film and video, curated by the New York-based collective DIS and Andrea Bellini.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

The album of breathtaking images of wrestling matches made in the US in the late 1960s by a little Swiss boy who will become a photographer.

By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.

The 11th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), inaugurating its new formula, with NORM, Feng Li, Marco De Mutiis, Zachary Lieberman, Maïwenn, Lionel Baier, Abel Ferrara...

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

Selina Trepp's "dirty drawings".

Music, sound, memory and perception in Latifa Echakhch's practice and work.

The fourth issue of the critical review Dixit, in which the words of the architects Jan Kinsbergen and David Klemmer confront each other, in the format of a dichotomous visual atlas, around the theme of the process.

Autobiography by Thomas Hirschhorn is a visual autobiography that through some selected images, narrates the story of the life and career of the artist.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

First monograph of the Swiss artist Till Rabus, who creates phantasmagorical subjects from everyday objects and waste of our society before translating them on hyperrealistic canvases, in stagings taking up aesthetic codes of the history of painting and Baroque.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

Luxurious retrospective monograph of the Swiss painter (1939-1998): 250 works on paper (ink, pencil, pen and watercolor drawings) covering more than three decades of exploration of the graphic potential of the line.

Lush monograph dedicated to the series "Orlando" inspired by Virginia Woolf's novel: more than 200 portraits in which the Swiss painter explores gender roles and identity as well a her own identity as an artist, and the temporality of art history.

A portrait of the Swiss architect-designer couple that reveals their intimate universe and their relationship to art.

This first overview of Altmann's work to date, characterized by a strongly socio-critical consciousness, reveals the artist's influences and inspirations.

New series of paintings by the Swiss artist, that examine the role of humankind in nature and within its social fabric on a philosophical-anthropological level.

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

First monograph.

A celebration of the 40 years of career of electropop pioneers.

Philipp Mueller's photographs of the emerging techno scene in Switzerland in the early 1990s.

A series of blue ballpoint pen drawings capturing capitalist executives and far-right leaders as grotesque monsters in suits.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

A staircase drips, not with water but with sound: book / CD dedicated to Fritz Hauser's impressive "sound drawing" for the Vincent van Gogh Foundation in Arles.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

New monograph.

Yves Scherer's Tatami mats series.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

An overview of the wide-ranging oeuvre of paintings and sculptures by the Chilean-born Swiss-based artist.

The first installment of FUTURE, an ongoing series of publications by Taiyo Onorato & Nico Krebs, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead.

15 years of conversations between Caribbean philosopher Édouard Glissant and his friend Hans Ulrich Obrist.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

The meeting between the artist and the philosopher, working together to create a common space.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.