Feminism

An unprecedented insight into the artist's 1990s fashion collection.

A film by Gilles Coudert and Damien Faure about the stained glass windows made by Kimsooja for the Metz Cathedral: a dialogue between contemporary art and cultural heritage and between Eastern and Western thought.

A collection of texts by fifteen contemporary Brazilian authors who approach the notions of care and privilege from a transfeminist, anti-racist and decolonial critical perspective.

Marie-Laure Bernadac, a leading expert in Louise Bourgeois's work, invites nine artists from both sides of the Atlantic (Tracey Emin, Camille Henrot, Jenny Holzer, Rachel Whiteread...) to share their views of this major artistic figure of the 20th century.

First monograph on the durational performance artist Melati Suryodarmo, one of the pioneers of performance art in Indonesia.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

A series of reflections on major contemporary issues in the framework of feminism, individual and collective emancipation and self-organization, based on the film Scuola senza fine (1983) by Adriana Monti, figurehead of Italian feminist cinema.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The first in a series of publications emerging from the transoceanic platform Kal, Kal Rituals proposes queer and trans feminist ecologies, embodiments and mythmaking.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.

First comprehensive monograph of the Swedish queer and feminist performance artist.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A story that explores how power is enacted on and through the body—the physical, the social, and the political.

Valerie Solanas's rarely published, legendary play, Up Your Ass (1965), explodes social and sexual mores and the hypocritical, patriarchal culture that produces them through her signature irreverence and wit, incisiveness and camp.

An examination of the relationship between coloniality, raciality, and global capital through a black feminist poethical framework, inspired by Octavia E. Butler's sci-fi novel Kindred (first volume in the On the Antipolitical series).

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

4th issue of the international journal on amateur and DIY media, bringing together contributions on fanzine readers, Tolkien-zines, the place of a female author in the scene of cinema fanzines in Greece, the artistic project Copie Machine, the fanzine as a societal springboard.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

The second part of the research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

Space in the feminine.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Facsimile edition of Stephanie Oursler's 1975 artist's book.

A selection by Martha Wilson of pages from her diaries that document her experience as a woman and artist between 1965 and 1983 (limited edition, signed by the artist).

First translation into French of a work by the Japanese sociologist and feminist Chizuko Ueno, who questions the relationship of women to historical tragedies, violence, war and terrorism, rejecting all forms of violence, both state and domestic, as well as domination.

The prospects of revolutionary feminism, from Želimir Žilnik's canonical film.

Retrospective monograph.

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

Spike's summer issue infiltrates enemy territory, probing the patriarchy and exploring the many forms it takes today.

This second issue of the research journal ZINES, the first of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. The corpora presented here add, in their own way, something new to the history and stories of LGBTQI + women and people in contemporary societies.

This third issue of the research journal ZINES, the second of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. Contributions in this volume feature themes such as the body, heteronormativity, while showing us the flip side of the conceptualization of queer.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

With the vinyl recording of a musical, the artist proposes a new chapter in her project on fermentation as a living, palpable theory that blends body, feminism, and community.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

Stronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments.

A book that documents/closes the Oslo-based queer-feminist plattform FRANK, with a rich contributions list and many illustrations.