Conceptual art

Monograph.

Reference monograph.

A video triptych.

Catalogue.

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An urban journey.

Reference monograph.

Artist's book: an invitation to travel by way of a mappemonde punctuated by lines and photographs of city spaces.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

Artist's book (photographs taken on the road).

The writings of a major artist of the 70's NY scene.

A reflection initiated by Veit Stratmann on the sometimes conflictual relationship between the artist and public space.

A b/w movie realized in digital video, on the road and between machines.

Documentation on selected works by Jens Haaning and texts.

Kawara's Date paintings, telegrams and books from the One Million Years series.

Monograph on the conceptual artist' early works.

Artist's book.

An essay on Duchamp's readings, and a systematic chart of his personnal library.

An essay on conceptual art.

First artist's book by Robert Morris.

Catalogue.

Catalogue.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

A monologue and a catalogue / a story and a description.

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text accompanied by a leaflet with 8.7 cm stripes.

Collection of texts (Alexis Vaillant, Daniel Soutif, Jean-Marc Avrilla, Marc Blondeau, Daniel Bosser, Carine Campo, Laura Carpenter, Simone de Cosi, Sylvie Couderc, Lidewij Edelkoort, Bernard Edelman, Jean-Louis Froment, Michel Gransard, Stéphane Mallarmé, Christoph Sattler, Estelle Schwartz, Philippe Thomas, Michel Tournereau, Georges Verney-Carron).

Photography signed by Richard Prince, 25 copies limited edition. Natalie Portman portrait.

Artist's book.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

Monograph.

Unpublished text, original signed silkscreen print.

37 minutes sound piece realized in 1995 (limited edition).

This monograph investigates Opalka's relationship with numbers, time and infinity. With an original long-term interview of the artist which ran on for more than twenty years.

This monograph investigates Opalka's relationship with numbers, time and infinity. With an original long-term interview of the artist which ran on for more than twenty years.

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

A focus on the architectural works of the American artist.

A focus on the architectural works of the American artist.

Unpublished text, signed, and a paper marie-louise.

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

Catalogue including two essays by curator Adelina Von Fürstenberg and art historian Elvan Zabunyan, together with biographical and bibliographical notes.

The series of engravings A Sheet of Paper, with which Rémy Zaugg develops his reflection on the exchange of the glance between the spectator and the work