Art & new technologies / digital art / interactive art / net art / media art / AI

Yann Toma explains what is Ouest Lumière and "Presidential Art".

Catalogue of two exhibitions: a thousand electric light-bulbs arranged in a grid on a flat aluminium support form the analoge frame that produces low-resolution video images.

A collection of digital artworks.

This book considers the importance given today to the research for new narrative modes in artistic practices: visual arts, cinema, and literature.

Biotech art and the posthuman.

Three interviews with the President for life of the Ouest-Lumière Company.

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

Reference monograph.

The contemporary urban city and the links to the utopian city.

Leporello in a box: a book documenting Jean-Charles Blais' œuvre and a 6,40 meters long work.

A sound poem and a digital art index by a pioneer of virtual art. The artwork accompanying this limited edition comes in the form of a CD-Rom containing an algorithm that creates a unique work for each copy.

This book, part psychedelic philosophy, part biography, is the first to present Sture Johannesson's work in depth, documenting his affiliations with the “high” underground and the punk movement, his activism and his radical exploration of the relationships between art, politics, technology, and human consciousness.

A sound poem and a digital art index by a pioneer of virtual art.

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

Exhibition catalogue (art & architecture).

Those who spread their image over Internet, what do they want? And what do those who view them get out of it? Numerous are those who jumped on the bandwagon of the webcam, pushing its spectrum of video-surveillance and condemning it to voyeurism or exhibitionism. Far beyond the simplistic idea of opposing exhibitionist / voyeur, actor / spectator, active / passive, the webcam serves as a meeting point of exchanges, complicity, views of or relationships with others, what Nicolas Thély terms as "web-intimacy".

Giving a good introduction to the virtual realm, this book examines, through art, science and culture, the two visual forms and utopias that exemplifies our modern era: video and computerized images.

Considering the relationship between technology and imagination , this book undertakes a mediological reflection on the current cross-hybridization of media which exacerbates and enriches the inherent differences between cinema, video and images. Included, a dictionary of international video-makers and their works.

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record.

Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.

A contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

Image and contemporary art in the post-digital age.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

The relationship between art and cybernetics and their intersections in the past and present.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

A lexical survey on compositional practice in contemporary dance.

New monograph.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

Monograph dedicated to a pioneer and leading figure in new media art.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

This publication examines the new paradigms of creation, dissemination and teaching of photography in the digital age. Resulting from a research project by the Master Photography at ECAL/University of Art and Design Lausanne, the publication includes a series of essays and interviews, productions done by the Master's students, together with a selection of representative works.

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

This issue questions artificial intelligence according to theories of utopia and dystopia, of existence and consciousness, and of gender and identity. It features Ian Cheng, Mario Klingemann, Sondra Perry, Sam Lavigne, Harold Cohen's AARON, Lawrence Lek, Jenna Sutela, Lynn Hershman Leeson, Cécile B. Evans, Leonel Moura and Stelarc, “Automating Aesthetics” by Lev Manovich…

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

First monograph by New York-based Thai artist Korakrit Arunanondchai, this publication is the first extensive presentation of the artist's video trilogy Painting with History, which ambitiously addresses a digital native's relationship with art history, spirituality, globalization, technology and self-promotion.

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

The catalogue of Metzger's first extensive overview: divided into sections—each of which is accompanied by a critical text—corresponding to those presented in the exhibition, the publication provides systematic insight into an artistic oeuvre considered as one of the most important in the 20th century (with texts by Mathieu Copeland, Hans Ulrich Obrist, Yoko Ono, Hermann Nitsch…).

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

An attempt to define the spirit of an age: exploring how today's myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.

Built by the design collective Metahaven, the project Black Transparency questions how information is organized globally and what role the concept of transparency occupies within it. This book engages transparency's junctions with design, architecture, and pop culture through Metahaven's research on technology, structures of information, networks and the Internet.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

New monograph.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.