Correspondences

A series of letters written by Christodoulos Panayiotou during a stay in Japan.

Women's artistic literature: a collective and transnational history of discourses of women on art in the 18th and 19th centuries (an anthology of essays, articles, travelogues, letters ...).

Émile Bernard's correspondence.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

New translation of Virginia Woolf's book-length essay published in 1938.

A traveling correspondence that combines writing, image and sound.

Catalogue of the first collective exhibition by Auguste Orts, which came about on the basis of the frequent letters the four members exchanged about their work

From Picabia's unpublished love letters to a philosophical and aesthetic inquiry on art, through Goethe, Schlegel, Hegel, or Baudelaire.

Eleven performance-based projects by Dora García, documented through letters, emails and other elements from the artist's private correspondence with various interpreters of performances, whether they were direct collaborators of simple spectators.

Deciphering Duchamp.

20 epistolary short stories highlighting the spatial dimension of a specific word.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

Jean Le Gac delivers his personal mailing. The original work included in the book is a letter from the artist, accompanied by a photo addressed personally to the reader.

The journal of one of the first women artists of the history of painting.

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

A collaborative artwork made of images exchanged via email.

A collection of mostly unpublished essays, notes and letters which shed a new light on Warburg's last studies.