China

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

An immersion in Zao Wou-Ki's works on paper, Chinese ink and watercolors, covering 60 years of creation.

Monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a conversation between Gea Politi and the artist.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

A trilogy on the artistic development in Asia from 1998 to 2018.

The artistic development in China from 1998 to 2018.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

The fourth issue of Art Against Art is looking at the change in temperature that has occured since last fall and the challenges art faces such as the rise in nativism in the West, the naissance of the influence of A.I. in art and the growing influence of the Chinese art market.

This first English monograph on the work of Zhao Zhao examines the Chinese artist's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing unprecedented upheaval. It features essays by Hou Hanru and Li Zhenhua.

Somewhere in between a magazine issue, an artist's book and a research report, this Kaleidoscope Asia Special edition with guest-editor Simon Denny revolves around a new project by the New Zealand artist set in the Chinese city of Shenzhen.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

Fully Fueled brings together pictures taken from 2012 to 2014 documenting the life of Emiratis through the lense of cars.

A case study about concept cars and former modernist memories (artist's book).

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

New monograph.

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

Shanghai special issue.

Designed by the artist in collaboration with the graphic studio S-y-n-d-i-c-a-t, Fouad Bouchoucha's first monograph gathers a selection of his works along with four essays and an interview.

Starting with the SARS outbreak that affected Hong Kong in the spring of 2003, this publication traces the different narratives, historical backgrounds as well as the implications of these events in relation to the contemporary culture and politics of Hong Kong.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

This publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

New monograph.

New monograph (available in English edition).

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

Reference monograph, including a comprehensive selection of Yang Fudong's photographic and film work, as well as newly commissioned theoretical essays.

Monograph based on the specific project conceived by Huang Yong Ping for his exhibition at Musée d'Art Contemporain de Lyon, with numerous essays that trace the entire career of the artist, as well as an abundant iconography on the exhibition.

A tribute to Gianni Piacentino's art and to his sense of independence with works spanning 1966 to the present.

An exploration of the human back through a series of black and white images by photographer Nikita, accompanied by texts or poetic montages.

First monograph: an annotated chronology of Laurent Faulon's residencies, exhibitions and public commissions, with an essay by Pascal Beausse.

Poems by Bei Dao / iPad Drawings by Francesco Clemente, created exclusively for this book.

Artist's book: Max Küng's collection of pensive racing drivers portraits.

The documenta project reader (texts by Daniel Birnbaum, Roger M. Buergel, Raphael Gygax, Christian Höller, Catherine Wood...).

Seven seminal works by Simon Starling and Superflex in a dialogical setting.

A comprehensive documentation of some twenty-eight temporary site-specific works produced by Chinese and international artists at Arrow Factory since 2008.

A complete survey of performance arts in Latin America and Asia today.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

Luxurious monograph based on Huang Yong Ping's monumental installation at the Oceanographic Museum of Monaco, documenting a series of recent exhibitions, with an essay by Jessica Morgan and the transcription of a round table with many personalities around the artist.

Three sound compositions by sound artist Yannick Dauby, based on field recordings of Taipei city and its surroundings. Inspired by the Ghost Festival and the ambiences of Summertime, by the evolution and modernity of the urban environment, by the now extinct plain aborigines who once lived in the Taipei basin, these works are reflecting three ways of listening the urban soundscape of Taiwan's capital.