Conceptual art

A major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O'Rourke.

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A retrospective overview of the work of a pioneer of Conceptual art in Los Angeles

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

A novel by Liam Gillick.

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

Four artist's posters.

Dedicated to John Latham's heterogeneous and paradoxical practice, this book highlights the artist's contradictory relationship with knowledge and language, through a selection of translated texts and images of some of his projects, all articulated around a glossary.

The first vinyl LP release from Fluxus pioneer Alison Knowles (remastered edition transferred from original tapes, with an expansive 20-page booklet).

First retrospective monograph.

Peter Piller's peripheral excursions around Bremen.

Artist's book.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.

A selection by Martha Wilson of pages from her diaries that document her experience as a woman and artist between 1965 and 1983 (limited edition, signed by the artist).

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

A trove of unseen and uncommon Ansel Adams photographs, assembled by Mike Mandel from archival collections.

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

A poem written by the artist for the space of the book composed only of punctuation marks.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

An extensive overview of Olivier Mosset's six-decade painting practice.

An extensive overview of Olivier Mosset's six-decade painting practice.

New monograph / catalogue.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

An anthology of Claire Fontaine's texts.