Australia

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

A beautiful work that features piano, electronics, processing, and field recordings.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

This catalogue documents a research and exhibition project stemming from a fieldwork conducted by the artist on a palaeontological site in South Australia.

For its 50th release, Black Truffle presents the 9th album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi.

A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential in teractions between instrument and tape.

Archival and live recordings from Australia's premiere prepared acoustic improvising trio.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

First monograph.

A sound dialogue between eRikM and Anthony Pateras.

This publication offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

This first monograph gives compelling insight into Nicholson's diverse material approach, political practice, and historical context.

Sun-blasted organ music from Australia.

In Western Australia, musician Ross Bolleter collects ruined pianos that he parks into open cemeteries and from which he draws his inspiration for his compositions. In this publication, Bolleter explains his musical practice and tells the unique story of these ruined pianos scattered in the heart of the Australian territory.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.

Be Polite follows the exhibition of largely unseen works on paper by one of Australia's most visionary and critical artists, Gordon Bennett. Including drawings, acrylic/gouache and watercolor paintings, poetry, and essays—the exhibition and publication are the first to present the work of Bennett since his death, and to pay homage to a figure of the post-colonial thought.

Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.

A visionary essay on the notion of artistic composition in a world spinning into a confused chaos.

21st century piano music (the first solo piano album by Anthony Pateras in 10 years, marking the mid-point of the Immediata series).

An hour-long percussion sextet featuring the instrumentation from Xenakis' Pleïades.

A single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes.

This publication documents the making of a sound mapping project of the city of Melbourne by artists Jean-Luc Guionnet and Eric La Casa.

A billion perspectives on the same instrumental explosion, by Anthony Pateras and Valerio Tricoli.

Seven meditations for clarinets, pianos and electronics: The Long Exhale catalogues psychoacoustic experiments and sparse acoustic excursions undertaken between 2014 and 2015 by Australian composer/performers Anthony Burr (clarinets, ARP 2600) and Anthony Pateras (piano, prepared piano).

Long-range acoustic hallucinations for violin (Anthony Pateras) and piano (Erkki Veltheim).

New monograph.

The shifting and troubled relationship of artwork and audience in network culture.

A confrontation between contemporary art, Aboriginal imaginary and prehistoric legacy (with works conceived especially for the project by fifty international artists).

The first comprehensive monograph on London-based Australian artist David Noonan, this book offers an overview of his work and is accompanied with texts by Michael Bracewell, Jennifer Higgie and Dominic Molon.

Artists' book: an exchange of images and texts between Australia and Rotterdam.

This monograph is dedicated to Stelarc—the body artist known for his radical performances involving robotic prosthetics.

Limited print run artist's book.

The first book of poems by art critic, artist, musician, and curator Dominic Eichler. With illustrations by Nairy Baghramian, Julian Göthe, Shahryar Nashat, Henrik Olesen, and Danh Vo.

Contemporary art in New Zealand: an imaginary exhibition for the Venice Biennale 2007.

A novel inspired by a year in the life of Richard Dadd, a great Victorian painter and inmate of London's Bethlem Hospital – more commonly known as Bedlam.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

The most complete and complex manifestation of Australian composer Lisa Lerkenfeldt's craft to date.

Monograph dedicated to a pioneer and leading figure in new media art.

Cross-continental tape exorcisms.

Born from the collaboration between the Australian musician Hugo Race and the Belgian violinist Catherine Graindorge, the music of LDO is an intensely atmospheric dreamweave of violins, electronics and Hugo's darkly evocative voice. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context.