Art & new technologies / digital art / interactive art / net art / media art / AI

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet's eponymous joint exhibition and explores the intergenerational differences between two unique artists. Both artists' work rejects the global logic of growth and traverses the bounds of sculpture and painting: each of their practices involves ideas to do with materiality, learning, and memory.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

How technologies of image-capture and the channels of communication have in recent years transformed the very terms of human rights.

The two authors of this publication, each by means of their own specific medium, question the relation of humanity to digital technologies. In his text, Pacôme Thiellement describes the digital alienation to come; Lauren Huret's collages revisits the time when personal computers entered the domestic space.

The fourth issue of Art Against Art is looking at the change in temperature that has occured since last fall and the challenges art faces such as the rise in nativism in the West, the naissance of the influence of A.I. in art and the growing influence of the Chinese art market.

Sculpture in a Digital World: “Digital Fabrications”; “Assembling the Post-Fordist Social Factory”; “Sculptors And Technology: Beyond The Digital”; Null Object: Gustav Metzger Thinks About Nothing by London Fieldworks; Jesse Colin Jackson's Marching Cubes; the 3D Additivist Cookbook; interviews with Grégory Chatonsky & Dominique Sirois, Erika Lincoln; the 6th edition of La Littorale; reviews and selected publications…

Collective publication bringing together artists, designers, and specialists to reflect on digital creativity within the city. Extending the investigations from the 11th meeting of the UNESCO Creative Cities Network, it questions digital and data practices in urban territory.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

Interviews with Florian Hecker, Ben Bogart, Jonas Lund, Gene Kogan, Eric Drass; AI representation in Black Mirror TV series; Machine Fallibility and Emergent Weirdness; Burak Arikan's Data Asymmetries; the “Fear and Love” exhibition at London's Design Museum…

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

Published to celebrates the 30-year anniversary of transmediale, this reader aims to use the critical and artistic knowledge gained at the festival over the years to reframe the question of the role of media today. In a world where technology increasingly operates independently of humans, where does the power to act and mediate lie?

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Connectivity and artistic practices.

Halfway between the catalogue and the artist's book, this publication introduces the work of Cindy Coutant. The French artist focuses on issues involving poetics and semantics, in connection with the new technologies and the Internet imagery.

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

Near Future Laboratories, Brendan Howell, Julian Priest, Jason Kahn, Robert Pravda, Nicolas Maigret and Maria Roszkowska, Liam Young, Cinema Lascado exhibition, Cinnamon Colomboscope 2016, news and reviews in hacktivism, emusic and new media art…

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

This issue traces the path of digital creation, from 90s Net Art to today's Post-Internet artists.

The Futures of Screen: an aesthetic and technical analysis.

Crossing perspectives on living among screens.

This monograph is structured around an alphabet dedicated to the career of this pioneer of digital art. It also includes contributions from the likes of Nam June Paik and Paul Virilio, as well as an interview with Catherine Ikam and her associate Louis Fléri.

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

Details from Heaven and Hell is the new chapter of Matt Mullican's cosmology, whose first models dates from 1973, and has evolved over the years and materialized in various media and performances.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

Artistic and literary creations on the theme “cyborgs and robots.”