France

First monograph.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

Special issue: fifteen exhibitions held since the beginning of the year as part of the "Ulysses" curatorial program coordinated by the FRAC Provence-Alpes-Cote d'Azur, on the occasion of Marseille-Provence 2013.

First edition of Eugénie Paultre's Nous Verrons Bien. Etel Adnan has created the six drawings for this book.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This first issue is dedicated to Mary Read, famed female pirate of the 18th century.

Retrospective catalogue of La Salle de bains art center in Lyon: an archive of 67 shows from 1999 until 2012.

Simone Debout's re-edited version of Fourier's essential work.

First major monograph: different perspectives on Andrade Tudela's artistic practice, juxtaposing positions and readings from Europe and Latin America, with about 400 illustrations including many reproductions of previously unseen works.

An innovative typology that provides an overview of contemporary creation, mapping as diagrams the practices of nearly 700 artists of the last 30 years.

Retrospective monograph: an overview of Gerald Petit's pictural and photographic work, with a conversation between the artist and Laurent Montaron, and a text by Judicaël Lavrador.

The first work in a series of portraits of people with Huntington's disease taken as muses, striving to create a radically new understanding of their experience.

The two philosophers share a dialogue on the representation of thought.

Political activist Jann-Marc Rouillan chronicles his life on parole after 25 years in prison. With illustrations by Marie-Claire Cordat.

La Tranchée Racine's new special issue (12 pages / 12 authors).

MMX is photographer Raphaele Godin's first book. It presents a series of snapshots of her daily life, taken in the 2010s. 

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

First monograph: a transversal survey and a critical analysis of the sculptural work of the French artist who questions the suburban destiny of modernist utopias.

Bernard Heidsieck's typescripts.

62 postcards that constitute the collection of the photographs taken and diplayed in the public space in six French regions.

Monograph based on the specific project conceived by Huang Yong Ping for his exhibition at Musée d'Art Contemporain de Lyon, with numerous essays that trace the entire career of the artist, as well as an abundant iconography on the exhibition.

New monograph.

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

A perspective on contemporary video and multimedia creation.

Artist's book: the last part of a complex project initiated in 2010—an exploration of the intimate legacies of Sun Ra's peculiar body of work (texts by Diedrich Diederichsen, Anthony Elms, J. Griffith Rollefson...).

Guy Reid's singular lime wood sculptures.

First monograph dedicated to the dense, abundant and exuberant work of French painter and sculptor Raymond Reynaud (1920-2007), a figure of art brut.

Artist's book by graphic designer Frédéric Teschner (leporello).

Reference monograph.

The first in-depth study of the reception of “French Theory” by American artists since the early 1960's.

Artist's book based on James Joyce's Ulysses.

Reference monograph.

Reference monograph (available in English edition).

Artist's book.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

First monograph, with three essays and an interview.

Catalogue: a selection of recent and older works by Palestinian artist Taysir Batniji.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

Artists' book.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

The trial of a dropout, convicted for the murders of her lover, a prostitute, and of her client, a deputy. A contemporary fable by transgressive writer Jérôme Bertin.

Following the lead of American objectivist poetry, Gaza, d'ici-là is a poetry-testimony based on an official document published by the UN on one of the military operations carried out in Gaza by the Israeli government.

A series of texts that serve as literary variations on Jean-Luc Godard's Numéro deux / a film on DVD which can be described as upending the ideas propounded in Godard's film, featuring artists' works as part of a mise en abyme and dialogue.

Two series of images around the construction of the City of Arts in Besançon (designed by Japanese architect Kengo Kuma), by artist Stephan Girard and architecture photographer Nicolas Waltefaugle.

A new model of action to invent new modes of art production and exchange by establishing a direct dialogue between the artist, the citizen-commissioner and the cultural mediator, outside the museum and apart from the art market.

Ten discussions based on the opening picnic scene of Charles and Ray Eames's film Powers of Ten used as score.