Art & spaciality

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

The importance of Gordon Matta-Clark's work in a revaluation of architecture after modernism.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

An analysis of the experience of spatiality in dance, through five works by Xavier Le Roy, Yvonne Rainer, Olga Mesa, Boris Charmatz, and Merce Cunningham.

What, today, can be understood as a critical modality of spatial practice?

Christopher Wool's stained glass windows for the Prieuré of La Charité sur Loire, France.

Six interviews.

An archive of vandalism.

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.

150 black-and-white photographs from the New York studio of Richard Nonas taken by the artist.

Shadows of witches, bats and black cats for a street public lighting commissioned work.

A retrospective of “empty exhibitions”.

A retrospective of “empty exhibitions” (hardcover limited edition).

A study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle.

This book discusses Michael Sailstorfer's most recent work, with a special focus on issues of space and site specificity.

This book reassembles the most significant texts and images of works of the 80's art scene, focusing on the problematics of public and private space.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

First monograph on the Swiss artist.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

A minimalist interpretation of Wittgenstein's Tractatus (artist's book).

An anthology focusing on architectural and acoustic space, sound sculpture, field/environmental investigation and recording, and site-specificity, featuring writings, visual works, interviews and artist projects by leading experimental composers, sound-artists, architects, contemporary authors, cartographers, and ecologists.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.