Art history

American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

An in-depth and circumstantial study of the work of Franz Radziwill (1895-1983), a major and controversial representative of “magical realism” in painting.

The first publication to pay tribute to Ambroise Vollard the Reunionese and to the exceptional gift made to his island in 1947, exhibited at the Léon Dierx museum.

A historiographical study of German art theorist, writer and activist Carl Einstein (1885-1940), that also explores several layers of the history of the early twentieth century, and proposes a critical reflection on some epistemological tropisms of today.

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

This book of interviews and conversations with today's most compelling living and resurrected artists and thinkers seeks to address the relevance of Russian cosmism and biocosmism in light of its influence on the Russian artistic and political vanguard as well as on today's art-historical apparatuses, weird materialisms, extinction narratives, and historical and temporal politics.

A collection of essays focusing on the notions of invention and image in art.

An examination of various forms of aesthetic practice seen through the lens of the neoliberal cultural revolution.

This study addresses the scope of the use of found objects and garbage by the Nouveaux Réalistes in the 1960s.

Edgar Degas and the rediscovery of monotyping in the 19th century.

A story of the Grévin wax museum in Paris from 1881 to 1921.

An essay conceived as an intellectual portrait of the German writer, psychologist and art theorist Karl Philipp Moritz, whose purpose is to investigate the relationships between aesthetics, psychology and anthropology in the second half of the 18th century, and the importance of their simultaneous development for the debates about art after 1800.

Rereading L'Origine du monde and the relationship between Gustave Courbet and James Whistler.

The first French translation of Yve-Alain Bois' reference study on modernism

Different perspectives (art history, philosophy, photography, film, architecture, history of science...) on the heterogeneous forms the discourse of pictures can take (an anthology).

24 unpublished letters by Gustave Courbet.

This publication offers new insights into the broad and differentiated spectrum of functions images could assume in political contexts in those areas dominated by the Portuguese in early modern times. How were objects and artifacts staged and handled to generate new layers of meaning and visualize political ideas and concepts? And what were the respective reasons, means, and effects of the visualization of Portuguese power and politics?

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

A typology of erasure as artistic gesture throughout the twentieth century.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

The concept of time in art history.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

A second volume of essays by Thierry de Duve dedicated to the form of speech known as the address. Along with theoretical texts, the authors addresses prestigious interlocutors (Jacques-Alain Miller, Benjamin Buchloh, Marie-José Mondzain, Jean Clair, Jean-François Lyotard, Herman Parret, Mieke Bal, Daniel Arasse).

A collection of texts by Robert Lebel on surrealism.

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Images potentielles (Potential Images), the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

The Florentine mannerist painter Jacopo da Pontormo, who was busy producing a series of frescoes for the choir of the San Lorenzo basilica in Florence, holds from 1554 to 1556 a strikingly remarkable diary.

The influence of cartoon on Duchamp's work.

An investigation into the enigma of the first abstract painting by Kandinsky.

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

An analysis of the implications, challenges and specificities of the artist's magazines, as an artistic practice.

Renowned French art historian and philosopher Georges Didi-Huberman conducts a careful analysis of Cube—Giacometti's only abstract sculptural work.

Two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance.

An examination of the new approach to the artistic phenomenon that emphases the role of sensitivity and centered around the figure of the spectator in the eighteenth century.

The invention of depicting figures participating in an event marks an important change in the ways artists addressed the beholder of the artworks themselves. The contributions of this volume describe this moment from a diachronic and transcultural perspective, while each of them focuses on a specific group of works revealing a new moment in this history.

The return of the anthropological question has completely redesigned the issues of representation. A state of play.

The relationship between Modern art and its destruction.