United Kingdom

A more than strange novel by the German writer and director Hanns Heinz Ewers (1871-1943), accompanied by a new musical piece by Nurse With Wound on a mini CD.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

First monograph dedicated to British filmmaker and video artist Stephen Sutcliffe. Including commissioned essays and an interview with the artist, At Fifty examines over twenty years of film collages practice, delving into Sutcliffe's extensive use of television archives and critical reflection on British cultural identity.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

The publication developed from the exhibition and research project The Place Is Here (2016–19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s.

A sound and photographic project about the disappearance of the Aral Sea in Kazakhstan.

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

The debut release of Alasdair Roberts, Debbie Armour, Frankie Armstrong and Benjamin Webb's vocal project is an intimate collection of traditional and newly composed songs.

The debut release of Alasdair Roberts, Debbie Armour, Frankie Armstrong and Benjamin Webb's vocal project is an intimate collection of traditional and newly composed songs.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

Retrospective monograph, 2007-2018.

A children's book conceived by illustrator Adam Higton. It's small square size was inspired by the Pixi children's books and by the Nupuset series from Petomies.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

A composition for brass chamber ensemble that explores the origins of language and its relationship with music.

The score composed and recorded by KTL (Stephen O'Malley & Peter Rehberg) for the dance piece ‘The Pyre', written and directed by Gisèle Vienne. A tensed composition haunted by the voice of Dennis Cooper.

The first volume of the sung interviews by mezzo-soprano Loré Lixenberg (with Phill Niblock, Pauline Oliveros, Trevor Wishart…).

Reissue of the CD released on the label Chloë (USA) in 2002, recorded in July 2001 in the Paris metro station, during the last two hours of service. A reference, between site-specific improvisation and sound art.

Charlotte Birnbaum meets with Gilbert & George to discuss The Meal—a culinary performance organized in 1969 by the British duo, with David Hockney as the guest of honor. Also included here are photos and memorabilia from the singular event (the sixth publication in the On the Table series, that explore the encounter between food and art).

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

This catalogue documents an eponymous exhibition by the British artist inspired by the daily lives of astronauts in space. The publication presents a series of images of the exhibition together with unpublished photos by the NASA. The book also includes a conversation between the artist and Victor Buchli, a NASA astronaut.

Catalogue of the quadruple major retrospective exhibition celebrating Gilbert & George's one-of-a-kind half century of creating art together: an overview of their practice, featuring a selection of historical pictures deemed by the artists themselves as the most representative of their art and life, and five new interviews by Hans Ulrich Obrist and Daniel Birnbaum.

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell's black trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

A collection of paintings by Anne Van Der Linden, exhibited at Galerie Corinne Bonnet in 2018, published in Pool Of Tears, a series of small format artist's books.

Five writers respond to Clare Goodwin's painting Dennis and Denise (2018), offering narrative foils to Goodwin's visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting's wealth of implicit meaning (texts by Tony Grisoni, Rebecca Geldard, Chris Fite-Wassilak, Frances Loeffler, Aoife Rosenmeyer, J. Emil Sennewald).

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

Visual documentation on Jonathan Monk's eponymous exhibition, commissioned by curator Marc-Olivier Wahler on the occasion of the twenty-year anniversary of the CAN Centre d'art Neuchâtel. The British artist revisits an iconic exhibition he did during the first years of the CAN in 1997. The publication confronts the images of the two events.

In a corrupt town of North England shortly before Thatcher, a group of kids sets a “white noise” insurgency to try and save the city. A disturbing and captivating novel.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

Will Sweeney's new graphic narrative is set in a retrofuturistic England ruled by a twisted elite who exploits a population inhabiting decadent urban centers. Monsters populate this strange world, and humanity's last chance lies in the power of the Vorpal Sword—a metaphysical blade of vital creative energy…

Two new musical encounters.

Two new musical encounters.

First comprehensive monograph dedicated to minimalist pioneer and postcolonial artist Rasheed Araeen. The publication gives an overview of 60 years of career, encompassing Araeen's visual art, writing, editing, and curatorial work. It includes scholarly essays, surveys, and documentation spanning every aspects of the artist's oeuvre, from his early works to his political engagement to today's ongoing Homecoming series.

The first comprehensive survey of video artist and filmmaker Theo Eshetu's extensive body of work. It provides documentation and critical analysis of Eshetu's practice, in which he examines the imagery of the collective unconscious, exploring cultural identity and challenging official media narratives through a complex interplay of signs and symbols.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

A timeless photographic ballad, through a few shots taken in the archeology museum in Athens.

Three interconnected essays on typography.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.