Catalogues

The consideration of flowers as an object of contemporary design (a curatorial exploration).

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

A panorama of the contemporary art scene in Italy (exhibition catalogue).

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

The current state and future of painting in the digital age.

A retrospective.

The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity (with Tatiana Fiodorova, Brandon LaBelle & Octavio Camargo, Sala-manca group and Joulia Strauss).

Exhibition catalogue of the sixth Triennal 50JPG – 50 Days for Photography in Geneva, exploring the relationships between eros and cosmos.

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

Catalogue conceived for the 12th Edition of the Bamako Encounters, the principal event dedicated to contemporary photography and new imagery in Africa.

Catalogue.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

Surveying the causes championed by feminists in the post-internet era.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

The catalogue of the first exhibition of works by artists and chefs, curated by Nicolas Bourriaud and Andrea Petrini: assembling 25 chefs and 20 artists from around the world, Cookbook'19 explores through a large panorama the relationship between the future art of cooking and the edibleness of art.

A journey covering several episodes of Situationist International.

Ascending from the Liquid Horizon focuses on the possibilities and potentials once proposed by speculative narratives about the future, and reflects on the realm that is currently emerging from the intersection of science, corporate interests, and ecology. Vast developments in technology, advancing hand in hand with rapid climate change, predict a situation far more complex than the current one, defined by an environment where technology levels nature and notions of the biological, natural and terrestrial need to be revised.

An exploration of the theme of emptiness in art (exhibition catalogue).

Reference monograph.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

This catalogue questions the place of U.S. Latino and Latin American art in U.S. museums and art history. It engages a series of artists working across a range of media—from installation and performance to drawing and video.

This catalogue documents a collective exhibition program inspired by the writings of Charles Fourier. “L'Écart absolu” is a dialogue between architecture, artistic heritage and contemporary works, in which artists come together, interact and experiment on the edge of design, visual arts, decorative arts and applied arts.

A major anthology of historic and contemporary writings by over 200 contributors, providing a rigorous and expansive survey of the photographic medium from its inception to our current moment. Edited by Walead Beshty, this exceptional publication includes texts and artworks by Giorgio Agamben, Roland Barthes, Georges Didi-Huberman, Stan Douglas, Harun Farocki, Martha Rosler, Stephen Shore, Hito Steyerl, Wolfgang Tillmans, Ericka Beckman, Walter Benjamin, Walker Evans, László Moholy-Nagy, Marshall McLuhan, Alan Turing, Dan Graham, Morgan Fisher, Kelley Walker…

A relecture of of the European Pop Art through a selection of works stemming from private collections.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

Art Basel's 2017 official annual publication.

A panorama of Latin American art collections in Southern California.

This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists.

A visual overview of 40 years of concerts, exhibitions and events at l'Oreille est Hardie / le Confort Moderne in Poitiers: 512 pages of photographs, flyers, and clippings, superimposed in colorful layers to compose a hallucinatory anthology of images.

Catalogue of the double exhibition examining integral themes within American artist Jay DeFeo's (1929-1989) practice, featuring Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R.H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon.

The first volume of the retrospective catalogue of Le Consortium contemporary art center (new edition).

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

Myths of the Marble documents a 2017 group exhibition which reflects upon how the “virtual” has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.