Feminism

First French translation of Shulamith Firestone's first novel.

This publication offers a feminist and queer interpretation of artistic practices of the last forty years. It gathers a selection of works and texts from the late 1960s to the present, newly commissioned essays and an anthology of artists's texts.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

An anthology of Claire Fontaine's texts.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

An investigation into the female presence in the places of art and thought, where discourses on emancipation are fabricated.

Nadira Husain's comprehensive work is brought together in this monograph for the first time in its breadth and complexity and shows over 100 works from the past six years.

Stemming from the namesake exhibition program at Cooper Gallery, Of Other Spaces draws on women artists' activism from the 1970s to the present day to build a reflection on feminist thinking as a provocative and cogent mode of creative and critical inquiry.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.

This monographs presents a decade of Wudtke's artistic work on gentrification in the city of Berlin.

The seminal tale of Iannone's advocacy for sexual liberation.

Thirty texts by cultural critic, auto/biographer, and lesbian icon Jill Johnston.

In this collection of stories and illustrations, Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

Retrospective monograph.

An overview of the various socio-political themes addressed by the Austrian artist's work.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

First monograph.

The 5th experimental novel by French artist Béatrice Cussol.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Surveying the causes championed by feminists in the post-internet era.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

A critical examination of the relationship between aesthetics and politics through the iconic figure of Carla Lonzi (1931-1982), an innovative art critic and one of the founders of neo-feminism in Italy.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

The films of Ana Mendieta.

This publication offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

First French translation of Judy Chicago's autobiography-manifesto.

A global and transdiciplinary study on botanics.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

Publication gathering 49 posters representing photographs and film stills by the Danish artist. It also includes a booklet with comments by Villesen, and an essay by Joerg Franzbecker.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

An account of a three-year research program focusing on working women's struggles in Britany: the publication provides an overview of the studies and artworks produced within the framework of the program, as well as extracts of lectures and a set of original archives.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Taking the form of a dialogue between the philosopher Judith Butler and the anthropologist Athena Athanasiou, this thought-provoking book seeks to elaborate our understanding of dispossession outside of the conventional logic of possession, a hallmark of capitalism, liberalism, and humanism.

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.