Anti/postcolonialism

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

The Seventh Issue of Zamâm magazine gathers innovative artists, curators, and art historians to investigate the relationships between the Pacific Region and the Mediterranean Basin, from Morocco to India (with Toni Maraini, Eric Baudelaire, Geeta Kapur, Touda Bouanani, Faouzi Laatiris…).

Be Polite follows the exhibition of largely unseen works on paper by one of Australia's most visionary and critical artists, Gordon Bennett. Including drawings, acrylic/gouache and watercolor paintings, poetry, and essays—the exhibition and publication are the first to present the work of Bennett since his death, and to pay homage to a figure of the post-colonial thought.

Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

Special color issue.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

Documenting a video installation addressing the consequences of historical sea travel.

This publication describes the making of a multiple-screen video installation made by Mario Pfeifer while living on Navarino Island, Chile. This anthropological film looks at the life of the descendants of the area's indigenous Yaghan people, and portrays a nation and community that is violently undergoing cultural and religious, social, political and economic transformation.

First monograph.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

Monograph based on an exhibition project based on a critical rereading of Roland Barthes' writings.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

Eser is a comprehensive publication on Judith Raum's works, installations and lecture performance texts from 2011 to 2014. It is also a theoretical reader and material collection on the semi-colonial advance of German entrepreneurs and bankers into the Ottoman Empire before World War I in connection with the construction of the Anatolian Railway.

The question of the temporal politics in the field of art.

A re-appropriation of Edward Said's Orientalism by Joe Scanlan.

An anthology interrogating the concept of antropofagia in Brazilian thought and its philosophical, ecological, and cosmopolitical influence.

“Ce qui ne sert pas s'oublie” (“What cannot be used is forgotten”) accompanies and extends the reach of the exhibition of the same title. Both deal with the mutating statuses of objects in relation to possible historical narratives, especially those related to colonial past and present and the layers of cultural, spiritual, and identity production that stem from them.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

This publication investigates the historical accumulation and commodification of artefacts and the representation of the human body as seen on ethnographic photographs. New material developed out of artistic research in the Weltkulturen Labor is presented together with unpublished scientific photography. Extended conversations between internationally renowned anthropologists, art historians, curators and artists offer new connections between past and present. Foreign Exchange responds to current interest in the remediation of ethnographic collections, colonial history, historical archives, and interdisciplinary curatorial practice.

Reference monograph.

Reference monograph.

New monograph / artist's book with which Latifa Echakhch proposes an immersion into her visual world, around a series of exhibition views and personal notes and comments.

First monograph.

New monograph based on a recent series of videos and photographs taken in Algeria, through which Zineb Sedira continues to explore issues of cultural identity, displacement and memory (with a retrospective of her work since 1995, three essays, and an interview with H. U. Obrist).

A war story narrated by a soldier, from the Second World War to the decolonization.

What role do the representations of the Other, the body, women and race play in highly publicized cultural productions?

Two both aesthetic and political engaged considerations on the relationship between the West and the Middle East (or more generally between the West and its others), from the figures of exile and the two cultures: three unpublished interviews of Edward W. Said / a deconstruction of a common European view on the Arab world by Seloua Luste Boulbina.

Artist's book.

What is it we call “Black” music? A selection of texts from the April 2010 conference in Bordeaux based on a critical discussion of Philipp Tagg's open letter about “Black music,” “Afro-American Music” and “European Music.”

This artist's book gathers a collection of notes, excerpts, documentation, artworks and interviews that documents Bugge's reading experience of Conrad's Heart of Darkness as well as her own artistic practice.

The story of the surrealists' radical anticolonialism: a political, aesthetic and poetic avant-garde.

12 conversations with theoreticians and activists critically engaged in the cultural field, exploring Cultural Studies and raising issues of postcolonialism, globalization, and activism.

The first overview of the variety and scope of the research carried out by Renée Green over the past twenty years.

Artist's writings. The limited edition is accompanied by a different cockade for each copy.

Artist's writings.

Limited edition of the artist's book by William Kentridge (ink and brush drawings and collages on books pages), with an original lithograph.