Austria

12 conversations with theoreticians and activists critically engaged in the cultural field, exploring Cultural Studies and raising issues of postcolonialism, globalization, and activism.

A representative selection of Friedl's (partly unpublished) texts, along with a series of interviews.

An “experimental monograph” (conceived by Heimo Zobernig) which offers a sidelong journey through the multi-facetted body of workmade by the Austrian artist since more than 30 years, which also offers a novel line of thinking about the layout of an artwork, and gathers a selection of “historical” texts and new commissioned essays.

Viennese Actionism was one of the strongest effort of the 1960's to develop contemporary art and a forerunner of what is now widely known as Performance Art. Danièle Roussel interviewed not only the former actionists (Otto Muehl, Hermann Nitsch, Günther Brus, Rudolf Schwarzkogler) but also some journalists, politicians, historians and witnesses of that time.

Artist's book.

Architectual development in desert landscapes.

A collection of interviews with workers and employees at Edifício Copan, a landmark modernist architecture by Oscar Niemeyer in the center of São Paulo, embodying an era of radical political and economic changes within Brazilian society.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

Complete retrospective monograph with the artists' drawings, paintings, photographs, installations, texts, and essays on his work.

First monograph.

First monograph, including paintings, many detail views of the paintings, drawings and filmstills (also available in English / German edition).

A compilation of videos by the collaborative fashion, design and fine art project.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

The films, photos, installations, and graphic artworks of Austrian artist Markus Schinwald create a highly charged aesthetic collection of curios in which the human being stands in the focal point of observation.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

Project catalogue documenting radio series commissioned by Kunstradio, Vienna, 2001, containing texts, images and audio by the artists, with an introduction by Brandon LaBelle and foreword by Barbara Schroeder from Kunstradio, with an audio compilation on CD.

The last document of the dadasopher of Berlin.

The actionnist's autobiography.

Catalogue of the eponymous exhibition at Le Consortium, Dijon, and Kunstverein Hamburg in 1999.

An intimate and unsettling diary featuring 56 self-portraits drawn in black and coloured pencils, extensively annotated by the artist.

Conversations with Daniel Baumann and Jutta Koether, accompanied by "reconnaissance photos".

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Limited edition box set with 43 instrumental tracks recorded with an alto saxophone, a radio and an electric toothbrush by Mart Küchen. The musical pieces are accompanied by four poems written by the Swedish musician and eight plates by Austrian plastic artist Johannes Heuer.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

Comprehensive monograph.

A limited edition containing twelve selected Bless lookbook-magazines ('SUP MAGAZINE, Capricious Magazine, mono.kultur, Paris-La, Purple Magazine, Textfield, etc.) held together by a Bless n° 43 Handle.

This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends.

Remastered recordings of the first performance of Nitsch's 8th Symphony (for Choir, Orchestra, and Noise Orchestra).

The artist book by Sabine Bitter and Helmut Weber is based on an unpublished text by French philosopher and urbanist Henri Lefebvre which is printed as a facsimile and accompanied by essays from Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger, and Neil Smith.

Schinwald's encyclopedia.

This fully illustrated book features for the first time the wide range of Bless' activity and documents a unique mode of cultural production.

The fourth and last poem by Kippenberger, written several days before his succombed to illness. A short letter of adieu, with two portraits of the artist by Elfie Semotan.