Catalogues

A history of southern surrealism, between Monaco and Alexandria: a journey that defies established cartographies, far from the nationalistic landmarks of a European-centric history of modernity.

Forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current dramatic evolution of the oceans.

A reflection treating the game of football as an expression of both individual and group "identity".

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

The history of Arabic calligraphy.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

The new wave of French and international design: an account of research on the glass vase conducted at the International Research Center for Glass and Plastic Arts, showcasing the work of the ten designers who were awarded the grand prize in the Design Parade Hyères competition, organized each year by the Villa Noailles.

A documentation of new values and new worlds and a guide to them.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

The intersection of walking and collecting.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

The consideration of flowers as an object of contemporary design (a curatorial exploration).

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

A panorama of the contemporary art scene in Italy (exhibition catalogue).

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

The current state and future of painting in the digital age.

A retrospective.

The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity (with Tatiana Fiodorova, Brandon LaBelle & Octavio Camargo, Sala-manca group and Joulia Strauss).

Exhibition catalogue of the sixth Triennal 50JPG – 50 Days for Photography in Geneva, exploring the relationships between eros and cosmos.

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

Catalogue conceived for the 12th Edition of the Bamako Encounters, the principal event dedicated to contemporary photography and new imagery in Africa.

Catalogue.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.