First monograph dedicated to Korean artist's paintings.

First monograph dedicated to the young French artist's “sculpture at work”,, as fragile as spectacular, with an interview.

First comprehensive monograph dedicated to Canadian artist (photography, video and sculpture), with about 250 images, five essays and an interview.

Reference monograph.

A confrontation of the works of Marx, Freud, and Lacan.

First monograph on French artist-photographer Natacha Lesueur who develops a very coherent and personal work on the themes of the body, food, and the photographic image itself: a complete overview of a work both uncanny, disturbing and attractive, because seductive.

An exhaustive documentation of Pierre Keller's work and trajectory.

Exhibition catalogue.

Reference monograph, including most of Mai-Thu Perret's projects so far, introduced by short captions she has written, as well as newly commissioned essays by Elisabeth Lebovici and Diedrich Diederichsen.

First photographic monograph, including newly commissioned essays by Joerg Bader, Nicolas Buri, Philippe Cuénat, Emmanuel Grandjean, and Gauthier Huber.

Exhibition catalogue.

Monograph (paintings and drawings).

Artist's book (an hallucinated portrait gallery of most of the characters created by Brice Dellsperger for his film remakes) / first substantive study of his work, with an essay by Marie Canet.

Special issue: five new projects by Maurizio Cattelan, Pierpaolo Ferrari, Federico Pepe, Luigi Presicce, and Nico Vascellari (limited edition).

A manifesto of modest art.

Limited edition, accompanied by an original watercolor, signed and unique.

Artist's book / first comprehensive publication dedicated to Franco-Moroccan artist.

Collaboration performance by this two infamous German visual artists, writers & sound-poets.

New Dystopia is contemporary author Mark von Schlegell's illustrated screenplay-as-science fiction novel. In conjunction with the curator Alexis Vaillant, von Schlegell curated an exhibition of contemporary art at CAPC musée d'art contemporain de Bordeaux, “Dystopia,” based on his novel's dystopian-present.

The carpet paradigm: critical prolegomena to a theory of flatness (an original and stimulating analysis of an essential concept of modern art history).

An anthology.

100 b/w drawings.

A trip accross the Mediterranean Sea to Irak, in 96 drawings.

Monograph based on Swedish artist's project for the Nordic Pavilion at the 54th Venice Biennale.

First comprehensive overview / in depth analysis of more than ten years of the Spanish-Icelandic duo's artistic practice—leading up to their most current works.

Monograph.

Artist's book.

A selection of seminal graphic design projects developed by Weisbeck and his firm, Surface, over the last ten years.

A story about what survives—of bodies, ideas, objects and the artistic or literary forms that might describe them—in the wake of catastrophe.

A traveling correspondence that combines writing, image and sound.

First monograph / artist's book.

Reference monograph dedicated, richly illustrated and documented, from the first drawings to last installations, with short notices accompanying each piece, an interview with Hans Ulrich Obrist and original essays by Michel Gauthier, Patrick Javault and Fabio Viscogliosi.

Jérôme Bertin's autobiographical novel tells a dissolute youth in the margins of society, from addictions and violence to psychiatric stays. With still the fierce desire to write.

An autobiographical tale in which the author tells the story of his addiction to a powerful sleeping pill.

This collective essay examines the crossroads between creation and business through various analyzes and case studies on Marcel Duchamp, Bertrand Lavier and the Brancusi trial.

A continuation and implementation of Tris Vonna-Michell's artistic practice through the medium of an artist's book.

The first publication to examine the fashion design work and conceptual world of Rodarte (limited edition).

The culmination of Jim Shaw's most important project under the form of an artist's book.

The book is comprised of texts on Susanne Kriemann's practice and its relation to the concept of Reading in a wider sense: reading photographs, archives, and texts and transforming these into new compositions with photography, urban space, and historiography.

The second cahier of Dora García's Mad Marginal project, presented as the publication for the Spanish Pavilion at the 54th Venice Biennale 2011.

A tribute to one of Germany's most radical, experimental, and progressive voices, with contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.