Retrospective monograph of one of the most uncompromising and experimental painters working today.

The first collection of Doug Ashford's writings and conversations.

The first artist's book by Will Benedict.

First publication devoted to the young Danish artist's work.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

This publication presents a retrospective study on the first contemporary art gallery of Morocco, l'Atelier (The Workshop). It highlights the work of the gallery and help to understand the artistic and cultural dynamics of an era: that of the advent of contemporary Moroccan art on the international scene.

First monograph by French painter Gaël Davrinche: an exhaustive journey through the artist's young career, punctuated with a photographic reportage in his studio. An interview by P. Nicolas Ledoux and a foreword by Richard Leydier complete this edition.

A visual anthology (with John Armleder, Andrew Blake, Michael Bracewell, Tom Burr, Dan Graham, Harmony Korine, Malcolm Mclaren, John Miller, Bob Nickas, Walter Pfeiffer, Haim Steinbach, Lawrence Weiner...).

Artist's book (Tadashi Kawamata compiles, like a scrapbook, photographs taken from newspaper reporting natural disasters, terrorist attacks or accidents), with an original artwork signed by the artist.

Retrospective monograph of one of the most uncompromising and experimental painters working today.

The transcription of a lecture by Erik Verhagen on Stephan Balkenhol's Petit nu (1993).

First edition of Eugénie Paultre's Nous Verrons Bien. Etel Adnan has created the six drawings for this book.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This first issue is dedicated to Mary Read, famed female pirate of the 18th century.

Retrospective catalogue of La Salle de bains art center in Lyon: an archive of 67 shows from 1999 until 2012.

Artist's book.

Comprehensive monograph.

An overview on Carey Young's works from 2003 to today.

Art in Turkey.

Complex relationships inside art, culture, political economy, immaterial production, and the public realm today.

A collection of nonfiction essays that provides an illuminating meander through what we call culture today.

The entrance of art into culture at large.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

Dénes Farkas's project for the Estonian Pavilion of the 55th Venice Biennale.

An in-depth view into the work of Susanne Kriemann.

Monographic exhibition catalogue, with an interview, an essay, a conversation, and a photo series by the artist.

An innovative typology that provides an overview of contemporary creation, mapping as diagrams the practices of nearly 700 artists of the last 30 years.

Retrospective monograph: an overview of Gerald Petit's pictural and photographic work, with a conversation between the artist and Laurent Montaron, and a text by Judicaël Lavrador.

Artist book based on four films by Runa Islam.

The first work in a series of portraits of people with Huntington's disease taken as muses, striving to create a radically new understanding of their experience.

Catalogue of an exhibition that includes five artists (Pablo Bronstein, Iman Issa, Aleksandra Mir, Yorgos Sapountzis and Danh Vo) whose work addresses the monumental urge and features a range of images of monuments, proposals for monuments as well as actual monuments themselves.

An artist's book thought of as a supplementary edition to the artist's previous book as well as an extension of a performance set in MoMa PS1 in 2013.

Guillaume Belhomme's first fictional narrative.

Bellamine's poetic painted photographs.

The two philosophers share a dialogue on the representation of thought.

Six conferences on Franco-German epistemology—from Gaston Bachelard to Bruno Latour, Martin Heidegger, and Jacques Lacan—held by biologist Hans-Jörg Rheinberger from 1994 to 2007. The title pays homage to the thought of French philosopher Jacques Derrida.

Political activist Jann-Marc Rouillan chronicles his life on parole after 25 years in prison. With illustrations by Marie-Claire Cordat.

The Alpine symposium on art and architecture (with Vito Acconci, Doug Aitken, Cerith Wyn Evans, Dominique Gonzalez-Foerster, Philippe Rahm, Tobias Rehberger, Lawrence Weiner...).

Reference monograph, including a comprehensive selection of Yang Fudong's photographic and film work, as well as newly commissioned theoretical essays.

Viable forms of refusal and imagine prospects for a post-work future.

The genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

The largest presentation of Marie-Louise Ekman's art ever featured in the form of a book.

This publication accompanies the eponymous exhibition at TBA21–Augarten in Vienna (showing together for the very first time Cerith Wyn Evans' luminous works that have been collected by TBA21 over the past ten years), and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring the artist's polyphonic oeuvre.

A guidebook that maps the social, urban, and art discourses of Georgia's post-Soviet years as seen from its hilly capital of Tbilisi (the catalogue of the Georgian Pavilion at the 55th Venice Biennale).