Alice Dourlen' new EP stands has a condensed document of a 18 months non-stop tour, melting experimental and oriental sounds with a strong theatrical aesthetics.
Alessandra Eramo (Ezramo) talks about growing up in Tarano, a city shaped by Catholicism and superstition, by industrial pollution and the ancient tradition of mussel farming. Includes link to the audio files of the sound installation Se Dio Vuole.
This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.
Geographer, orientalist and philosopher Augustin Berque exposes the eastern foundation of his reflection on mesology, redefining the being (and the human subject) in its relation to the environment.
A selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds.
Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.
Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.
Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.
Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations.
A previously unpublished series of photographs taken in 1989 in Arles and Paris, retouched by Boris Mikhailov 26 years later, offering a fresh perspective on his work.
Formal Economy is the first comprehensive survey of Marte Eknæs' practice, presenting her sculptural works, drawings and collages as visual narratives and fictional landscapes.