Starting with the SARS outbreak that affected Hong Kong in the spring of 2003, this publication traces the different narratives, historical backgrounds as well as the implications of these events in relation to the contemporary culture and politics of Hong Kong.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

Spells is the first collection of Irena Haiduk's writing, gathering her texts and limited-edition publications since 2007.

Taking its cue from the aftermath of the events of the Egyptian Revolution in 2011, these five essays contemplate the language's role in moments of dramatic change, and ask how to find meaning for artistic practices in these transformative conditions.

Based on Brancusi's photographic archives, this publication reflects on the sculptor's influence on Minimalism and installation.

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

An aesthetic and ethical approaches to the handling of natural resources. By drawing connections between works that derive from artistic practice, journalism, philosophy, activism, and other realms of research, “World of Matter” provides a place of commonality for eco-logical imaginaries.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

A selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds.

A reader.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

This publication examines the impact of Oskar Hansen within contemporary visual culture and the redefined role of the viewer since the 1960s.

An excursive analysis of the potential of narration within the paradoxes of cinematic representation.

The possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now.

The exchanges and transgressions between art and dance today.

An intertextual and interdisciplinary approach to exploring some contemporary cultural resonances with respect to gender and sexuality.

The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history.

The manifesto of the network of contemporary art centers.

The art/research articulation.

This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.

A collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

A selection of Jan Verwoert's most recent writings.

A long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa, on the theme of the stories and spirits of a parallel avant-garde.

An A-to-Z of the exhibition.

A collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

Models of subjective and situational ethics in the contemporary cultural field.

Surveying figures ranging from Clement Greenberg to Jacques Derrida, this compendium of 20 short essays by New York-based critic Barry Schwabsky focuses on his reflections on art writing itself.

Twelve theoretical investigations on the crisis (both economical and personal) issue—from fields as diverse as philosophy, politics, media theory, environmental activism, feminism, post-human theory, literature, geopolitics, art, and economics, originated with artist Deborah Ligorio's research.

Complex relationships inside art, culture, political economy, immaterial production, and the public realm today.

A collection of nonfiction essays that provides an illuminating meander through what we call culture today.

The entrance of art into culture at large.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

Viable forms of refusal and imagine prospects for a post-work future.

The genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things.

An archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles, and Berlin.

A collection of documents of Tom McCarthy's “semi-fictitious organisation” International Necronautical Society, cofounded with Simon Critchley.

The first collection of texts by Steve Rushton, exploring the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.