A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

The heart of the political-aesthetic debate.

Prominent voices of the debate on transdisciplinarity in a transdisciplinary manner.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

The cultural public sphere at the digital age.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

How to talk about his art as an artist? A series of discussions with Jan Verwoert and artists and composers of the Graduate School at the Berlin University of the Arts. In parallel, the book presents a careful selection of original artistic contributions by the participants.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

Publication gathering a team of thinkers that confront one of the most crucial questions when dealing with the very definition, concept and operativity of art: How to link art to the concept of the contemporary?

This collection of essays seeks to comprehensively address the concept of “neighborhood technologies” by establishing a platform for the thorough discussion of neighborhood concepts and notions across scientific cultures—e.g., computer science, mathematics, sociology, media and cultural studies, theater studies, and architecture.

The first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy.

The photography book Kracauer. Photographic Archive is a collection of previously unpublished photographic material from the estate of the sociologist, philosopher, journalist and film and photograph theorist Siegfried Kracauer.

Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. This volume brings together for the first time all of Kracauer's essays on photography that he wrote between 1927 and 1933. It includes a foreword by Philippe Despoix, and a curriculum vitae illustrated with photographs from the Kracauer estate.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

This publication investigates the historical accumulation and commodification of artefacts and the representation of the human body as seen on ethnographic photographs. New material developed out of artistic research in the Weltkulturen Labor is presented together with unpublished scientific photography. Extended conversations between internationally renowned anthropologists, art historians, curators and artists offer new connections between past and present. Foreign Exchange responds to current interest in the remediation of ethnographic collections, colonial history, historical archives, and interdisciplinary curatorial practice.

The essays collected in Thinking – Resisting – Reading the Political engage with political phenomena in their interrelations with arts as well as with recent theoretical and philosophical perspectives on the very meaning of politics, the political, and community.

A confrontation of the works of Marx, Freud, and Lacan.

This publication provides in two illustrated volumes a basis for developing theory and praxis of gallery education: an ideal resource for people working in the fields of curating exhibitions, youth work and cultural policy. The first volume gives a comprehensive and richly illustrated survey of formats and models of education and collaboration with the public at documenta 12.

This publication provides in two illustrated volumes a basis for developing theory and praxis of gallery education: an ideal resource for people working in the fields of curating exhibitions, youth work and cultural policy. The second volume focuses on a theory of gallery education, its methods and contexts, and reflects theoretically on examples presented in volume 1.

In recent years, most diverse disciplines have been stressing the importance of matter within the web of relationships of culture and nature. This publication focuses on this new material phenomena in arts in relation to the humanities and social sciences and brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

Using Jérôme Bel's Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this series of essays explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Including interviews with Jérôme Bel and with the actors of Zurich's Theater HORA.

This volume brings together multidisciplinary essays dedicated to the question of how dance, both in its historical and in its contemporary manifestations, is intricately linked to conceptualisations of the political.