An essay / manifesto to reconsider the objectivity of the sensations provided by artworks, and to reconsider contemporary art in itself rather than as a genre, alongside modern and classical art.
What canvases reveal to us is often beyond what we believe we understand. Like true false semblances, they subtley encourage us to turn away from them in order to engage ourselves in their hidden intrigues (where they often meet our own).
An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.
