Artist's book.

Reference monograph.

New monograph.

New monograph.

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

A linguistic/fictional journey into questions of authorship, language and institutional rhetorics.

Judith Hopf highlights Hugo von Hofmannsthal's hypothesis of a hidden language that might resolve the impasse produced by a widespread lack of attention regarding artistic practice.

Fully illustrated catalogue of the 14th Geneva Biennial, re-launched by Centre d'Art Contemporain Genève. The 2014 edition presents 22 films and video works, specially commissioned by the Centre (from September 18 to November 23, 2014).

Reference monograph.

A new perspective on one of the most sticking bodies of work to have emerged in the last twenty years.

A statement about speculation, photography, time and withdrawal.

A philosophical, historical and poetic book project based on the Central Asian Pavilion at the 55th Venice Biennale.

Luis Camnitzer plays the Drawing Room Confessions.

Artist's book.

A range of international artists engaged in investigating the shifting, viral nature of capitalism.

An open and plural device capable of recounting the different identities that characterize the real patrimony of artistic and cultural contributions in the Little Constellation network.

A visual and textual journey through the participatory processes that inform the work of the Warsaw-based artist.

A double portrait of Libya.

A curatorial and editorial project which explores the propensity for artists to engage with knowledge from fields beyond their own area of specialism.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

David Jablonowski's recent and early works.

A reflection on the problematic of temporality, from an analysis of On Kawara's practice, also revealing certain important aspects of Cesarco's working methods.

The transcript of a piece that Paul Sietsema did in early 2011 for an exhibition in Los Angeles.

A series of letters written by Christodoulos Panayiotou during a stay in Japan.

The first collection of Doug Ashford's writings and conversations.

The first artist's book by Will Benedict.

First publication devoted to the young Danish artist's work.

Catalogue of an exhibition that includes five artists (Pablo Bronstein, Iman Issa, Aleksandra Mir, Yorgos Sapountzis and Danh Vo) whose work addresses the monumental urge and features a range of images of monuments, proposals for monuments as well as actual monuments themselves.

A literary tribute to Sarah Lucas, at once an adroit art-historical study and a poetic travelogue.

Miniature portraits of about 100 international artists by one of the most important Italian gallerist.

A complete documentation on Roman Signer's first permanent public commission.

First monographic publication on American artist Mark Barrow.

A vast photographic archive conceived as an extension of Petra Feriancová's project for the Czech and Slovak Republic Pavilion at the 55th Venice Biennale.

First retrospective monograph on a legend of West Coast conceptual art.

The catalogue of the Italian Pavilion at the 55th Venice Biennale (works by Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa).

The catalogue of a cycle of exhibitions that took place over the course of four years, from a reflection on the notion of the “mediation” of artworks (withDavid Lamelas, Benoit Maire, Dominique Petitgand, Giasco Bertoli, Robert Breer, Esther Ferrer, Felix Gonzalez-Torres, Ben Kinmont, Jirí Kovanda, Martha Rosler...).

An album of photographic documentation of Cezary Bodzianowski's ephemeral ‘events' gently disrupting the course of everyday life, with essays by Catherine Wood, Jarosław Suchan, and Susanne Titz.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

New monograph.

A selection of notes written by Gabriel Sierra from 2007 to 2011.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

A panorama of the art of ceramics.

A new collectible artist's book commissioned by Bottega Veneta with Gaetano Pesce and Matthieu Blazy.

A new critical reading of key dimensions of the Los Angeles-based French artist's work.

New perspectives on the process of translation from the works of more than thirty international artists.

A survey of Louise Nevelson's research on collage.