Mix

The sequel of an ongoing collection of fragmentary texts, written daily by poet-artist Fabrice Reymond.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Transcript of a seminar on nature and protocols, with philosopher Pierre-Damien Huyghe and artist Jean-Baptiste Farkas.

An essay of political philosophy in which José M. González García examines the role of the metaphor in politics throughout history.

The fourth publication from an ongoing collection of fragmentary texts, written daily by poet-artist Fabrice Reymond.

Transcript of a seminar on Mallarmé and the concept of coding in modern and contemporary artwork. With philosopher Quentin Meillassoux and writer Antoine Dufeu.

Woes and misfortunes of a TV celebrity.

Monograph dedicated to the work of conceptual artist Olivier Bardin: a chronological selection of 96 projects, and four interviews with prestigious artists and critics: Pierre Huyghe, Pascale Cassagnau, Hans-Ulrich Obrist, and Vanessa Morisset.

This publication gathers a collection of twenty texts together with a selection of archives and photographs which examine the literary and artistic representations of the banquet.

Transcript of a seminar on the concept of negligence as a modern interpretation of operativity. With philosopher Manuel Reyes Mate and artist and writer Lætitia Paviani.

Transcript of a seminar on the temporality of the artwork and its historiality. With theorist Sébastien Pluot and writer Alessandro de Francesco.

Transcript of a seminar on the philosophical concept of fidelity and the definition of the political space. With philosopher Pierre-Damien Huyghe and writer Fabrice Reymond.

Forty-two project descriptions by Ben Kinmont.

This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. Marcelline Delbecq chose Robert Barry's Returning, a projection of eighty-one slides that alternates images, words, and black interludes.

This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. Sabrina Soyer's text was inspired by Mathieu Mercier's installation Holothurie.

Alessandro de Francesco's poetic approach aims to redefine and surpass discursive obstacles born out of our cognition, our emotions, and the political and media systems.

This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. For his fiction, Daniel Foucard has chosen two works, Claude Lévêque's Sans titre and Reena Spaulings's Untitled (Smal Flag 3).

Prose poetry work by Italian writer and artist Giulio Marzaioli.

This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. This text by French playwright Noëlle Renaude relies on a series of works by Roman Opalka investigating the notion of temporality.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

A short story inspired by No, a Jeff Wall's photograph from 1983.

A book of thoughts, an instruction and a commentary of the world, an encrypted autobiography… The third publication from an ongoing collection of fragmentary texts, written daily by poet-artist Fabrice Reymond. With illustration by Julie Sorin.

Collection of poems.

This poem is the first prelude to Diagonale du vide, a project developed by Antoine Dufeu. Alternating prose, verse, and pauses, the text expresses a new relationship to the world.

The architecture as method: an essay by philosopher Pierre-Damien Huyghe.

A short essay on the experience of intimacy in socialized modern life, followed by two new texts on the concepts of sustainability and habit.

Commentary on Walter Benjamin's theses: On the concept of history.

Prose poetry inspired by urban orality.

An essay on the the appearance of the image.

An attempt to answer the question of desire, through a series of hypotheses.

A fragmentary essay investigation the characteristics of the novel as a literary genre.

An aesthetic essay on social media and the youth.

Two essays in which the Italian philosopher proposes a study of the concept of festivity.

Hermeneutics: 6 patterns of analysis.

The third volume in a series of experimental novels deconstructing the semantic and formal structure of literature.

A personal atlas for landscape description.

Some thoughts on the definition of poetics.

An essay.

On industrial metaphysics.

If pornography, for some, is not presentable, it is argued here that pornography is necessary, and that it is even the only ideal way to try to think freely the meaning, the value of art.

An experimental prose poem by Samuel Rochery.

A collection of notes on trails, echoing readings, ramblings, encounters…

The first part of a literary trilogy examining the issue of nihilism.

An experimental narrative by writer and poet Jerome Mauche.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

The first French anthology of texts by conceptual artists from the 60's-70's.

A poem on war and the oppression of the modern body.

The catalogue of the exhibition “I've heard about” by architectural firm R&Sie(n): a documentation on a collaborative project of an organic utopian city associating architecture and visual arts.

French author Sophie Coiffier on the notion of moment.