Sub Rosa

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell's black trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

New compositions for ancient Korean instrument: the Geomungo.

Tarab is the result of live recordings captured during the group's 2017 Al-'An! Tour, which led them to Europe and Canada, and finally Beirut.

The third and final LP report of the Belgian electronic improvised music band from the eighties. Recorded and mixed between 1980 and 1981, Next One's Called… features unreleased songs only. It could be seen as the missing link between their two previous albums—Slaughter in Tiny Place and Europa (limited dark green vinyl LP edition).

New edition of the Belgian band's third album from 1981: inspired by H.P. Lovecraft's universe, Ceux du Dehors is a key release for the band. It sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.

Sylvain Chauveau plays reworkings of early music from the Spanish Renaissance Repertoire, with the Chant 1450 Renaissance Ensemble.

2 CD set gathering instrumental pieces from this last five years. Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

Univers Zéro's second album released in 1979. A classic of chamber rock music featuring heavy use of dissonance and dark, brooding and extremely complex melodies. 2010 remixed version.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

Audio project based on field recordings which took place in various locations in New York, U.S.A, Gotland, Sweden, Rio De Janeiro, Brasil and the Greek countryside. Featuring soprano Irini Kyriakidou, this electronic immersive piece is fully part of Novi_sad's visual approach of sound.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

The 4th album of Babils—an atypical six members Brussels underground band, mixing rock, new wave, psyche, kraut, experimental and repetitive music. Ji Ameeto is the first recording without the late Michel Duyck.

Surrounded by European electronic music ensemble Quatuor Tana, 4 new pieces by the unpredictable Baudouin De Jaer, pushing further the boundaries of contemporary composition.

In September 2015, Japanese legend Keiji Haino played with two of Belgium's most active and valued musicians: keyboardist Jozef Dumoulin and drummer Teun Verbruggen. The Miracles Of Only One Thing is a deep and intense testimony of this meeting.

Selected unreleased works from 1980 to 2000 by a key composer of Belgian electronic music.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Inspired by The Residents, Marc Bolan, Mark Frechette & Zabriskie Point, Swans, Autechre, David Bowie, Eva Ionesco, and Polanski's movie The Tenant, Ultraphallus defines their sound with some accents from different styles including Western Music, Death metal, Doom-Rock, Avant-garde Psychedelia and Electronic Soundtracks, as a tribute to Rock Culture.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

An overview of experimental and electronic music in Turkey featuring 29 Turkish artists—from the electronic music of the 1960s to all forms of experimental music of the 2010s.

An overview of experimental and electronic music in Turkey featuring 29 Turkish artists—from the electronic music of the 1960s to all forms of experimental music of the 2010s.

Inspired by The Residents, Marc Bolan, Mark Frechette & Zabriskie Point, Swans, Autechre, David Bowie, Eva Ionesco, and Polanski's movie The Tenant, Ultraphallus defines their sound with some accents from different styles including Western Music, Death metal, Doom-Rock, Avant-garde Psychedelia and Electronic Soundtracks, as a tribute to Rock Culture.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Zbigniew Karkowski's last recording, in Sweden, November 2013—a few weeks before his death—accompanied by musicians Jean-Louis Huhta and Lars Akerlund.