Mousse

The first monograph detailing the work of Belgian artist Leon Vranken, this book presents the most significant and complex projects of a practice now spanning over fifteen years, and is accompanied by three essays that address the many facets of his meticulously constructed works.

Published for the first time, a selection of notes from the artist's private diaries.

Monograph / catalogue dedicated to the work of kinetic artist and co-founder of Gruppo T Grazia Varisco.

Amy Lien & Enzo Camacho invited four other international artists from three different countries to participate at an artist's residency in Milan. Their preliminary idea was to think communication issues and artwork's ability to materialize the various forms of exchange. This catalogue covers the exhibition that followed this residency.

Monir Shahroudy Farmanfarmaian & Frank Stella, Art & Architecture, A.K. Burns, Dance Factory (by Sven Lütticken), Richard Rezac, Kelly Akashi, Mernet Larsen, Oscar Enberg, Calvin Marcus, Yves Scherer, How to become a very famous artist (by Chus Martínez), Irena Haiduk, Jim Shaw, Bruno Gironcoli, The Materiality of Digital Forms...

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

The reader of the 8th Momentum Nordic Biennial which explores tunnel vision as a cultural and artistic condition.

A comprehensive monograph covering Nannucci's whole career and presenting a selection of his major projects.

Light, skin, titan and body-consciousness to navigate between shelter and space: this artist's book shows collages of objects layered around in life size, then spreads out into the book space and installation works using photography and film.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

The catalogue of the Iraqi Pavilion at the 56th Venice Biennale.

Monograph based on an exhibition project based on a critical rereading of Roland Barthes' writings.

Dora Budor, Martine Syms, On the copy (by Bettina Funcke, Michele Robecchi, Ian Cheng, Liam Gillick, Daniel McClean, Kenneth Goldsmith, Darren Bader, Nick Currie, Martin Clark, grupa o.k.), L'imitation by Philippe Pirotte, Walter Benjamin by Jens Hoffmann, Jim Nutt, Leidy Churchman, Albert Serra, The 80s by Kelly Taxter, Yuri Parrison, Rachel Rose & Ben Russell, Michael Snow & Sharon Lockhart, Aldo Tambellini, Nancy Lupo & Hayley Silverman, f.marquespenteado...

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

This publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.

Comprehensive monograph of the Californian artist and political activist.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

A suite of alphabets exploring the potentiality of langage and symbols (artist's book).

Formal Economy is the first comprehensive survey of Marte Eknæs' practice, presenting her sculptural works, drawings and collages as visual narratives and fictional landscapes.

A portrait of a divided Nicosia.

Andreas Angelidakis, Art about Fucking, Art and the Construction of a Future Politics, Artistic Research: Belonging and Expanding, Adelhyd van Bender, Pia Camil, Corporations and the Exotic, Andrea Crespo, Simon Denny & Matt Goerzen, Cécile B. Evans, Urs Fischer & Adam McEwen, Parviz Kimiavi, James Lovelock, The Multiversalists, From the Naked Future, The Political Potential of the Unpredictable, Reading the Roster: the 56th Venice Biennale, Carolee Schneemann, Single-Origin Art, Jesse Stecklow, Daniel Steegmann Mangrané...

Reference monograph.

Lawrence Abu Hamdan, Art and Literature, Darja Bajagić, Walter Dahn, Fiction in Reality, Have We Become the Internet?, Lynn Hershman Leeson, The History of Exhibitions, Intimacy in Art, Nicholas Mangan, Park McArthur, The Multiplication of Moving Perspectives, Opening up to the Unexpected, Philippe Parreno and Paul B. Preciado, Systems Prosthetics, Time as Material, The Withdrawal of the Artist, Betty Woodman, Steina and Woody Vasulka, and The Artist as Curator #6.

Catalogue.

An extensive overview of the oeuvre of one of the masters of experimental cinema, including a complete chronology of the cineast's work and life as well as newly commissioned contributions by Andrea Bellini, Ken Eisenstein, John Hanhardt, and a visual essay by the artist.

The most in-depth presentation of the work of Swedish artist and poet Karl Larsson to date.

Comprehensive monograph.

New monograph.

A collaborative text born from the exchange and longstanding friendship between the artist Katrín Sigurðardóttir and the poet Kristín Ómarsdóttir.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

Catalogue / artist's book.

Catalogue.

Reference monograph.

First monograph.

New monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

First monograph on Cuban artist Wilfredo Prieto.

The first publication devoted to the artist's films.

Some thoughts on authority by Jan Verwoert, Stylometry by John Menick, The Theater of Violence by Sladja Blazan, Manila in the Claws of Darkness by Giulio Bursi, Gottfried Lindauer, On Disintegration by Andrew Durbin, Notes on the Post-Digital Condition by Omar Kholeif, Learning To Escape the Politics of Prediction by Chus Martínez, Robert Gober, Jean-Frédéric Schnyder, Mélanie Matranga, Guan Xiao, Minimalism as Pathos by Nick Currie, Alice Könitz / Kim Fisher, Steinar Haga Kristensen, Bruce McLean / Tamara Henderson, The End of Art in Public Space by Jennifer Allen...

This book brings together the documentation of seven installations, produced by Corin Hewitt from 2007 up to the 2013, including preparatory sketches, process shots, exhibition documentation, and discrete photographic works. This visual mass helps understand Hewitt's practice as a continuum of interconnected actions and materializations, instances of generative discovery and contextual play.

Artist's book designed by Åbäke, based on Danish artist Marie Lund's first institutional solo exhibition.

Peter Hujar, The Not-Spot by Nick Currie, The Art of (Leadership) George W. Bush by Alison Gingeras, Selfie Poetics by Andrew Durbin, Robert Heinecken, Art After the End of Art: Exhibit B by Jens Hoffmann, The Whole Earth Show Revisited by Chelsea Haines, Otobong Nkanga by Hans Ulrich Obrist, From Performance To Post-Performance by Marie Canet, Marie de Brugerolle and Catherine Wood, Whatever Happened to the Sisterhood by Jennifer Allen, Hannah Weinberger, Than Hussein Clark, James Ferraro, Sidsel Meineche Hansen, Jasper Spicero, Mario Schifano, Bunny Rogers, Phillip Zach, Jamian Juliano-Villani...

New monograph / artist's book.

David Maljković publishes, for the first time, some excerpts of his notebooks.

Reference monograph.

New monograph.

New monograph.

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

A linguistic/fictional journey into questions of authorship, language and institutional rhetorics.